You’re being watched: Rosemary Waugh reviews Anders Lustgarten’s new play about Elizabethan intrigue.
Put down your iPhones: Rosemary Waugh on Ivo van Hove’s multi-channel story of a news anchorman driven to breaking point.
Overthinking overthinking: Rosemary Waugh reviews the UK touring production of People, Places & Things.
People watching: Rosemary Waugh reviews the UK tour of Clod Ensemble’s work placing humans behind glass.
I mean, at least you’d have a woman’s voice… Adelaide Waldrop and Brendan Macdonald record their post-show discussion about David Ives’ play.
Tamara Harvey is artistic director at Theatr Clwyd, which combines a formidable artistic reputation with a location in rural Wales. She talks Chekhovian humour, working with dead authors, and why theatre and ice rinks mix.
All the colours of the rainbow: Rosemary Waugh reviews Tamara Harvey’s visually beautiful production of Uncle Vanya.
Please don’t send flowers: Rosemary Waugh reviews a revival of Arthur Kopit’s play about recovering from a stroke.
This is how we do business: Rosemary Waugh reviews the London premiere of J. T. Rogers’ play about the Oslo Accords.
It’s like eyeliner, only cooler: Rosemary Waugh reviews Tristan Bernays’ new play about the woad-wearing warrior queen.
The many faces of Lady Macbeth: Rosemary Waugh reviews an artful exploration of Shakespeare’s shadowy matriarch.
Sweet dreams: Rosemary Waugh reviews the European premiere of Gecko’s collaboration with the Shanghai Dramatic Arts Centre.
When you don’t love it anymore, it’s time to stop: Rosemary Waugh reviews Margaret McAuliffe’s one-woman show about Irish dancing.
Lost in the woods: Rosemary Waugh reviews Brad Birch’s new play blending gothic horror with domestic drama.
Words and non-words: Rosemary Waugh reviews Yaël Farber’s production of David Harrower’s Knives in Hens.