The National Gallery, and other ways to kill time before going to the theatre: Rosemary Waugh reviews Mary Skeaping’s Giselle.
Rosemary Waugh
Articles by Rosemary Waugh
19 December 2016
Reviews • West End & Central
Review: Love’s Labour’s Lost and Much Ado About Nothing at the TRH
Theatre Royal Haymarket ⋄ 12th December 2016 - 18th March 2017
By Rosemary Waugh
The RSC does Christmas: Rosemary Waugh reviews the Christopher Luscombe’s double bill of Shakespeare.
13 December 2016
Reviews • West End & Central
Review: Hedda Gabler at the National Theatre
National Theatre ⋄ Until 21st March 2017
By Rosemary Waugh
Not for fans of Esther Greenwood: Rosemary Waugh reviews Ivo van Hove’s production of Hedda Gabler.
2 December 2016
Reviews • West End & Central
Review: The Little Matchgirl at the Sam Wanamaker Playhouse
Sam Wanamaker Playhouse ⋄ 24th November 2016 - 22nd January 2017
By Rosemary Waugh
And then there were none: Rosemary Waugh reviews the Globe’s Christmas show based on the stories of Hans Christian Andersen.
27 November 2016
Reviews • Bristol
Review: Broken Biscuits at the Tobacco Factory, Bristol
Tobacco Factory ⋄ 25th - 26th November 2016
By Rosemary Waugh
When ‘feel good’ makes you ‘feel bad’: Rosemary Waugh reviews Broken Biscuits as part of its UK tour.
25 November 2016
Reviews • Bristol
Review: Odyssey at the Wardrobe Theatre, Bristol
Wardrobe Theatre ⋄ 22nd - 26th November 2016
By Rosemary Waugh
Storytelling that lasts forever: Rosemary Waugh reviews Theatre Ad Infinitum’s version of The Odyssey.
23 November 2016
Reviews • Bristol
Review: Ghosts at Submerge Festival
19th November 2016
By Rosemary Waugh
The ghosts of St Thomas the Martyr: Rosemary Waugh reviews Submerge Festival’s triple bill of performances.
22 November 2016
Reviews • Bristol
Review: The Cube at Submerge Festival
Colston Hall ⋄ 19th - 20th November 2016
By Rosemary Waugh
The Bright Black Edge of Nowhere. Or, How I Survived The Cube by Rosemary Waugh.
20 November 2016
Reviews • Bristol
Review: Hardy Animal at Circomedia, Bristol
Circomedia ⋄ 18th November 2016
By Rosemary Waugh
The pain that connects us: Rosemary Waugh reviews Laura Dannequin’s Hardy Animal.
18 November 2016
Reviews • Bristol • National
Review: Pre Scribed (a life written for me) at Circomedia, Bristol
Circomedia ⋄ 17th and 20th November 2017
By Rosemary Waugh
Patching things up: Rosemary Waugh reviews Viv Gordon’s new performance piece about GPs struggling to cope.
14 November 2016
Reviews • Bristol
Review: Are You There? at the Zion Community Space, Bristol
Zion Community Space ⋄ 8th - 12th November 2016
By Rosemary Waugh
Our father who art in Devon: Rosemary Waugh reviews Lucy Bell’s new play about Alpha courses and Mumsnet.
1 November 2016
Reviews • London Theatre • West End & Central
Review: The Nest at the Young Vic
Young Vic ⋄ 28th October - 26th November 2016
By Rosemary Waugh
Nature, and all that: Rosemary Waugh reviews The Nest in a new translation by Conor McPherson.
26 October 2016
Features
Shared Light
By Rosemary Waugh
On the announcement of Emma Rice leaving the Globe, Rosemary Waugh discusses who really gets to share in Shakespeare.
21 October 2016
Reviews • Bristol • National • Reviews
Review: The Grinning Man at Bristol Old Vic
13th October - 13th November 2016
By Rosemary Waugh
Pearly whites with a lack of bite: Rosemary Waugh reviews the Bristol Old Vic’s new macabre musical.
19 October 2016
Reviews • Bristol • National • Reviews
Review: Akram Khan’s Giselle at the Bristol Hippodrome
Bristol Hippodrome ⋄ 19th - 22nd October 2016, plus touring
By Rosemary Waugh
Rosemary Waugh provides three answers to the question: ‘how do you review Akram Khan’s Giselle?’