Theatre Theresa May should be watching: Rosemary Waugh reviews Firebird Theatre’s new work about their company and how it got its name.
Drinking alone with Google Translate: Rosemary Waugh reviews part of the Sovremennik Theatre’s short season in London.
Disrobing the myth: Rosemary Waugh reviews Yaël Farber’s retelling of the story of Salomé.
A portrait of an artist: Rosemary Waugh reviews Concert Theatre’s take on Anne Brontë’s novel.
Friends until the end of time: Rosemary Waugh reviews Alice Nicholas’s new play about transgender teenagers.
BANG! and Whaam! Rosemary Waugh reviews the opening production in the Globe’s Summer of Love.
“There’s no such thing as paranoia.” Rosemary Waugh reviews Titus Halder’s unsettling vision of what awaits after graduation.
Weirder than Westminster: Rosemary Waugh reviews Shakespeare at the Tobacco Factory’s modern Molière.
Will, Barney and I: Rosemary Waugh and her imaginary friends enjoy a day out in Salisbury.
Escaped Alone x 4: Rosemary Waugh provides yet another review of Escaped Alone.
After the runaway success of Iphigenia in Splott, Rachel O’Riordan is directing Gary Owen’s new play Killology. She talks about her work as artistic director of the Sherman, and how theatre “opens doors to Wales”.
A musical for ballet fans: Rosemary Waugh reviews the London premiere of An American In Paris.
Penmanship: Rosemary Waugh reviews Stephanie Riding’s work about writing to male prisoners on death row.
Coming down to earth: Rosemary Waugh reviews Steven Cantor’s film about ballet dancer Sergei Polunin.
When Harry met Daniel met Tom: Rosemary Waugh reviews the 50th anniversary production of Tom Stoppard’s riff on Hamlet.