An imprecise cloud of possibilites: Jamila Johnson-Small’s free-flowing choreography brings dance artists into a contemporary art context.
Paul Hughes
Articles by Paul Hughes
7 February 2018
Reviews • OWE & Fringe
Review: The Araniello Show at The Yard
30 January - 3 February 2018
By Paul Hughes
Renders the inevitable clichés ‘hollow and cartoonish’: Paul Hughes reviews The Araniello Show, on as part of NOW18.
24 November 2017
Reviews • Reviews
Review: Andante by Igor & Moreno
14 November 2017
By Paul Hughes
Instinctive honesty and benevolence: Paul Hughes reviews the latest work from Igor & Moreno.
24 November 2017
Reviews • OWE & Fringe
Review: Meg Stuart Until Our Hearts Stop at Sadler’s Wells
15 November 2017
By Paul Hughes
Grasping, sweaty choreographies of impulse: Paul Hughes reviews Meg Stuart’s work about bodies, bodies, bodies.
6 October 2017
Reviews
Review: Learning from the Future at Nottingham Contemporary
September 29
By Paul Hughes
“A thrilling and urgent ritual”: Paul Hughes contemplates technology, mortality and the future while watching Colette Sadler’s bold contemporary dance.
3 October 2017
Reviews • Dance • Reviews
Review: On The Habit of Being Oneself at Sadler’s Wells
September 28 - September 29
By Paul Hughes
“Does the work think we care? Does it care if we care?”: choreographer Joe Moran’s evening of minimalist dance performances and installations.
19 March 2017
Reviews • Nottingham
Review: Code Bend Time at Nottdance 2017
15 February - 11 March 2017
By Paul Hughes
The delicate unpredictability of the plinth: Paul Hughes reviews Evangelia Kolyra’s performance in the Lace Market Gallery, as part of Nottdance 2017.
17 March 2017
Reviews • Nottingham
Review: Odori-Dawns-Dance at Nottdance 2017
12 March 2017
By Paul Hughes
Moving in the public space: Paul Hughes reviews Sioned Huws’ work performed in Sneinton Market in Nottingham city centre.
16 March 2017
Reviews • Nottingham
Review: Future Dancer at Nottdance 2017
10 March 2017
By Paul Hughes
What does it means to have a practice, to do a practice? Paul Hughes reviews Lucy Suggate’s work inspired by the words of Isadora Duncan.
16 March 2017
Reviews • Nottingham
Review: Now That We Know at Nottdance
8 March 2017
By Paul Hughes
Massaging the hypnotic organs: Paul Hughes reviews Matthias Sperling’s performance lecture at Nottdance 2017.
15 March 2017
Reviews • Nottingham
Review: Brocade at Nottdance 2017
Dance4's International Centre for Choreography ⋄ 8 March 2017
By Paul Hughes
An all-female punk ceilidh: Paul Hughes reviews Brocade by Roberta Jean on the first night of Nottdance 2017.
15 March 2017
Reviews • Nottingham
Review: Close Distance at Nottdance 2017
Wollaton Hall ⋄ 8 March 2017
By Paul Hughes
Who is being looked at, and who is doing the looking: Paul Hughes reviews an installation work in the Prospect Room of Wollaton Hall as part of Nottdance 2017.