The London premiere of an early Ibsen.
On his Continental success and refusing to conform to populist tastes.
Creature of the night.
Theatre and the London Film Festival.
A Freudian farce.
On Sigmund Freud, his third successive Jewish role.
Oh Captain, my Captain
Joe Orton’s ‘anti-farce.’
A thrust stage of which the Bard would’ve approved.
The good book.
We’ve been here before.
Love and its consequences.
Twenty thousand hours with Shakespeare.