Comedy gold: Neil Dowden reviews the Polly Findlay’s production of The Alchemist.
Domestic and national disintegration: Neil Dowden reviews the The Kenneth Branagh Theatre Company’s production of The Entertainer.
“As comfortable as slipping into a well-worn pair of shoes”: Neil Dowden reviews Jonathan Church’s revival of Harold Brighouse’s comedy.
Felliniesque chicness does little to lift traditional Romeo and Juliet at the Garrick.
Insightful, but essentially non-theatrical: Neil Dowden reviews Gillian Slovo and Nicolas Kent’s collaboration on jihadism.
An atmospheric staging of The Tempest marks the end of Dominic Dromgoole’s time as Artistic Director of The Globe.
Preaching to the converted.
The legacy of war.
The private lives of socialists.
Up to her neck in it.