Exeunt
  • Reviews
    • London Theatre
    • National
    • Performance
    • Dance
    • Opera
  • Features
    • Q&A and Interviews
    • Essays
    • Opinion
    • Artist-in-Residence
    • Critical Futures
    • Books
  • Performance
  • New York City
  • Podcasts
  • About Exeunt
    • Staff & Contributors
    • Contact Us

exeunt


magazine
  • Reviews
    • London Theatre
    • National
    • Performance
    • Dance
    • Opera
  • Features
    • Q&A and Interviews
    • Essays
    • Opinion
    • Artist-in-Residence
    • Critical Futures
    • Books
  • Performance
  • New York City
  • Podcasts
  • About Exeunt
    • Staff & Contributors
    • Contact Us

Natasha Tripney


Natasha Tripney

Natasha co-founded Exeunt in 2011 and was editor until 2016. She's now lead critic and reviews editor for The Stage, and has written about theatre and the arts for the Guardian, Time Out, the Independent, Lonely Planet and Tortoise.


Articles by Natasha Tripney


How Can We Be Better?
2 January 2015
Features

How Can We Be Better?

By Natasha Tripney

Ella Greenhill on the relationship between the personal and the political and her play Made in Britain.


Christmas Carols and Good Omens
30 December 2014
Features

Christmas Carols and Good Omens

By Natasha Tripney

Caitlin Benedict on this year’s festive radio highlights, including a Neil Gaiman & Terry Prachett adaptation.


Almost, Maine
23 December 2014
Reviews • OWE & Fringe

Almost, Maine

Park Theatre ⋄ 16th December 2014 - 17th January 2015
By Natasha Tripney

Northern lights.


Nigel and Louise’s Basement Grotto
21 December 2014
Reviews

Nigel and Louise’s Basement Grotto

Shoreditch Town Hall ⋄ 12th - 24th December 2014
By Natasha Tripney

A Christmas play.


Apocalypse Meow: Crisis is Born
19 December 2014
Reviews • OWE & Fringe

Apocalypse Meow: Crisis is Born

Southbank Centre ⋄ 16th – 29th December 2014
By Natasha Tripney

The mask of fabulousness.


Joining The Dots
11 December 2014
Features

Joining The Dots

By Natasha Tripney

Peaceful Lion’s Ollie Fielding on the pleasures and challenges of making theatre for younger audiences.


Theatre of Risk
9 December 2014
Features • Performance

Theatre of Risk

By Natasha Tripney

Live artist FK Alexander on this year’s Tempting Failure festival & the relationship between risk and performance.


Christmas
8 December 2014
Reviews • OWE & Fringe

Christmas

White Bear Theatre ⋄
By Natasha Tripney

‘Tis the season.


Operation Home
2 December 2014
Features

Operation Home

By Natasha Tripney

Tena Štivičić on property and ownership in the former Yugoslavia and the history of her play, 3 Winters.


Stink Foot
28 November 2014
Reviews • OWE & Fringe

Stink Foot

The Yard Theatre ⋄ 18th November - 13th December 2014
By Natasha Tripney

Hello treacle.


Marion Deprez is Gorgeous
27 November 2014
Reviews • OWE & Fringe

Marion Deprez is Gorgeous

The Vaults ⋄ 25th – 29th November 2014
By Natasha Tripney

Look at me.


Near Gone
26 November 2014
Reviews • OWE & Fringe

Near Gone

Bush Theatre ⋄ 20th-21st November 2014
By Natasha Tripney

Far away, so close.


The Making of the Mask
25 November 2014
Features

The Making of the Mask

By Natasha Tripney

Designer Isa Shaw-Abulafia explains how she created the face of Pomona.


The Gamblers
17 November 2014
Reviews • Edinburgh • Scotland

The Gamblers

Summerhall ⋄ 11th-15th November 2014
By Natasha Tripney

Ambiguity, honesty and deception.


Radio Waves
12 November 2014
Features

Radio Waves

By Natasha Tripney

In the second of her columns on radio drama, Caitlin Kenny discusses Dylan Thomas and NPR’s Serial.


  • Page 6 of 46
  • First
  • Previous
  • 2
  • 3
  • 4
  • 5
  • 6 (current)
  • 7
  • 8
  • 9
  • 10
  • Next
  • Last
Features
  • Q&A and Interviews
  • Essays
  • Opinion
  • Podcast
Reviews
  • OWE & Fringe
  • West End & Central
  • National
  • NYC
  • Performance

exeunt

  • About Exeunt
  • Staff & Contributors
  • Contact Us
  • Subscribe