The world of the play ‘spins off its axis and crashes into ours’: Nabilah Said writes to her penpal about Matthew Xia’s production of Athol Fugard’s anti-apartheid play.
Funny as hell: Nabilah Said writes on Clean Break’s hilarious, but painful exploration of how women are prison are depicted.
‘Gold, sinew and chicken fat’: Nabilah Said reviews Annie Siddons’ epic tribute to SE20 and its residents
A modern take on an old story: Nabilah Said reviews Nessah Muthy’s version of One Thousand and One Nights.
Document open, review jump out… Nabilah Said reviews Polarbear’s one-man show about how to tell a story.
Nabilah Said’s twin cinema review of Arinzé Kene’s powerful solo show.
A dress rehearsal for an ideal world: Nabilah Said reviews a musical about three generations of the same family.
Nabilah Said reviews Homos, Or Everyone in America, which is as inspiring and exhausting as watching lovers fight.
‘The bleak loneliness faced by the outcasts of society’: Nabilah Said reviews this one-man show about an illegal digital market place.
‘An epic display of female emotion’: Nabilah Said reviews a contemporary opera of Euripides’ tragedy, as part of LIFT 2018.
A man’s world: Phil Ormrod’s four-handed drama explores father-son relationships and male violence.
A hero’s journey: Yorkshire-based rapper Testament’s play explores hiking and history.
Rip-roaringly funny: Naomi Sheldon’s Edinburgh Fringe hit makes a triumphant transfer to London.
Two sides, one story: Nabilah Said reviews the stage adaptation of Ghassan Kanafani’s novella.
The line between real and fake: Nabilah Said reviews Breach Theatre’s new work about preparing for an emergency.