Once upon a time, Michael founded a music publication whose name nobody could ever quite pronounce. With Natasha's help this grew a theatre section, which laid the foundations for Exeunt. In between stroking his protobeard at gigs, writing about himself in the third person and editing that publication when he should be catching 40 winks, Michael occasionally still finds time to help run a London-based theatre company, indulge in a smattering of copywriting and PR work and, not as often as is healthy, even gets to see actual real theatre productions. He waffles on a bit on Twitter @yeoldemother. Follow him if you’re of the mind. He won’t mind if you are.