We’ll meet again: Lily Levinson writes on Kandinsky’s new show, which thoughtfully explores ‘the bleak dangers of nostalgic nationalism’.
‘A warm twinkle and touches of wonder’: Lily Levinson writes on Theatre Re’s ensemble fairytale.
A house of cards: Lily Levinson reviews Moira Buffini’s flimsy, trope-ridden political satire.
Child’s play: Lily Levinson reviews an energetic but oddly generic-feeling production that’s co-created with children.
Spooks and social awkwardness: Lily Levinson reviews a dinner party-based chiller starring Lily Allen.
‘Waspish, punchy and imagistic’: Lily Levinson writes on Niqabi Ninja, an audio-guided walk that casts light on misogynistic violence and street harassment.
Money talks: Lily Levinson encounters a fractious interactive show about cash and collective decision making.
Plays pleasant: Lily Levinson finds the plays in Paul Miller’s latest George Bernard Shaw production ‘solid chortlers’ if not ‘searingly urgent’.
“I’m feeling quite exhausted”: Lily Levinson encounters a dance festival that looks at the challenges of expressing care in a contact-starved era.
Something to count on: Lily Levinson writes on Chris Bush’s collection of stories for and about dark times.
“I seancéd my ass off”: Lily Levinson reviews Luke Bateman and Michael Conley’s one-man musical about ‘sozzled, sweary’, Spiritualist sisters.
Hockey, tea-towels and God: Lily Levinson reviews a ‘careful and delicate production’ of Margaret Perry’s radio play about a burgeoning teenage romance.
Lily Levinson speaks to the artists, activists and participants working together to reimagine how BAC engages with its local community.
Broken nights: Lily Levinson writes on Ava Wong Davies and Mandala Theatre’s ‘unsettling and theatrically imaginative’ digital play, exploring sleep disturbance.
Internal voices: Lily Levinson encounters Rafaella Marcus’s intimate audio play, performed by Katherine Parkinson.