As frustrating as it is intriguing.
Lee Anderson reports back from a one-day symposium on text and performance organised by Catherine Love.
As above, so below.
The theatre-maker talks The Christians, visiting mega-churches and the nature of faith.
Lee Anderson talks childhood violence, adult psychopathy and SQUINT’s new Edinburgh Fringe show
How I learned to stop worrying and love the Verfremdungseffeckt
Dance and participation.
Gemma Whelan on revisiting the dark and disturbing world of Philip Ridley in Radiant Vermin.
Banker turned playwright, Mike Stone, on the theatricality of wrestling and his debut play, Lardo.
Dead Centre’s Bush Moukarzel on the making of Lippy, meta-theatre and the impulse to speak.
Lee Anderson on the history of theatre censorship in an analogue age.
Mike Bartlett on the London premiere of his brutal, combative play, Bull.
Going on a journey of discovery with the work of the “playwright’s playwright”.
Looking forwards, looking back.