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Hannah Greenstreet


Hannah is a writer, academic and theatre critic. She is London Reviews co-Editor for Exeunt, with a focus on fringe and Off-West End theatre. She has a PhD in contemporary feminist theatre and form from the University of Oxford and is now a lecturer at the University of Liverpool. She is also a playwright and has worked with Camden People's Theatre, Soho Writers' Lab, the North Wall Arts Centre, and Menagerie Theatre Company.


Articles by Hannah Greenstreet


Review: Hijabi Monologues London at the Bush Theatre
1 October 2017
Reviews • OWE & Fringe

Review: Hijabi Monologues London at the Bush Theatre

Until 30th September 2017
By Hannah Greenstreet

Both hypervisible but invisible: Hannah Greenstreet reviews a set of nine monologues by Muslim women from across the world.


Review: Bullish at Camden People’s Theatre
18 September 2017
Reviews • London Theatre • OWE & Fringe • Reviews

Review: Bullish at Camden People’s Theatre

September 12 - September 30
By Hannah Greenstreet

Beyond bullshit stereotypes: Hannah Greenstreet on Milk Presents’ gender fluid reimagining of the Minotaur myth.


Edinburgh Fringe Review: Three shows about mental health
16 August 2017
Reviews • Edinburgh Fringe 2017

Edinburgh Fringe Review: Three shows about mental health

Until 28 August 2017
By Hannah Greenstreet

Hannah Greenstreet reviews What if the plane falls out of the sky?, The Soft Subject, and A Super Happy Story (About Feeling Super Sad) at the Edinburgh Fringe 2017.


Edinburgh Fringe Review: Lilith: The Jungle Girl at Traverse Theatre
14 August 2017
Reviews • Edinburgh Fringe 2017

Edinburgh Fringe Review: Lilith: The Jungle Girl at Traverse Theatre

Until 27th August 2017
By Hannah Greenstreet

Wonderfully offbeat and political: Hannah Greenstreet on Sisters Grimm’s queer-feminist satire of nationalism and colonialism.


Edinburgh Fringe Review: DollyWould at Summerhall
13 August 2017
Reviews • Edinburgh Fringe 2017

Edinburgh Fringe Review: DollyWould at Summerhall

Until 27 August 2017
By Hannah Greenstreet

A mainstream crossover hit – or is it? Hannah Greenstreet on Sh!t Theatre’s Dolly Parton-inspired show.


Edinburgh Fringe Review: Offside at Pleasance Courtyard
11 August 2017
Reviews • Edinburgh Fringe 2017

Edinburgh Fringe Review: Offside at Pleasance Courtyard

Until 28th August 2017
By Hannah Greenstreet

Hannah Greenstreet reviews Futures Theatre’s passionate celebration of women’s football.


Edinburgh Fringe Review: Salt at Summerhall
10 August 2017
Reviews • Edinburgh Fringe 2017

Edinburgh Fringe Review: Salt at Summerhall

Until 26th August 2017
By Hannah Greenstreet

How do you mourn someone you have never met? – Hannah Greenstreet reviews Selina Thompson’s powerful interrogation of the legacy of slavery.


Edinburgh Fringe Review: LANDS at Summerhall
9 August 2017
Reviews • Edinburgh Fringe 2017

Edinburgh Fringe Review: LANDS at Summerhall

Until 20th August 2017
By Hannah Greenstreet

Puzzling but enjoyable: Hannah Greenstreet on Antler’s bouncing tragi-comedy.


Edinburgh Fringe Review: Brutal Cessation + Dust
8 August 2017
Reviews • Edinburgh Fringe 2017

Edinburgh Fringe Review: Brutal Cessation + Dust

Until 28th/27th August
By Hannah Greenstreet

Watching through my fingers – Hannah Greenstreet on Milly Thomas’s new plays and theatre’s duty of care.


Edinburgh Fringe Review: Five Encounters on a Site Called Craigslist
8 August 2017
Reviews • Edinburgh Fringe 2017

Edinburgh Fringe Review: Five Encounters on a Site Called Craigslist

Until 28th August 2017
By Hannah Greenstreet

“A surprisingly tender theatrical experiment”: Hannah Greenstreet reviews YESYESNONO’s exploration of intimacy.


Edinburgh Fringe Review: Adam and Eve at Traverse Theatre
8 August 2017
Reviews • Edinburgh Fringe 2017 • Reviews

Edinburgh Fringe Review: Adam and Eve at Traverse Theatre

Until 27th August 2017
By Hannah Greenstreet

Lyrical, joyous and vital – Hannah Greenstreet on the National Theatre of Scotland’s two stories about trans experience.


EIF Review: Meet Me at Dawn at Traverse Theatre
7 August 2017
Reviews • Edinburgh

EIF Review: Meet Me at Dawn at Traverse Theatre

4 - 27 August 2017
By Hannah Greenstreet

Forces you to slow down: Hannah Greenstreet reviews Zinnie Harris’s new work inspired by the myth of Orpheus and Eurydice.


Edinburgh Fringe Review: The B*easts at Underbelly
6 August 2017
Reviews • Edinburgh Fringe 2017

Edinburgh Fringe Review: The B*easts at Underbelly

By Hannah Greenstreet

Monica Dolan’s one woman show is a deliberately un-sensationalised exploration of how children are sexualised.


Edinburgh Fringe Review: Mouthpiece at Summerhall
6 August 2017
Reviews • Edinburgh Fringe 2017

Edinburgh Fringe Review: Mouthpiece at Summerhall

By Hannah Greenstreet

Dissonance and vocal fry – Hannah Greenstreet on a performance that explores gendered speech.


Review: Mumburger at the Old Red Lion
17 July 2017
Reviews • London Theatre • OWE & Fringe • Reviews

Review: Mumburger at the Old Red Lion

June 27 - July 22
By Hannah Greenstreet

Patties of human flesh: Hannah Greenstreet can’t get the smell of cooking meat out of her nostrils after Sarah Kosar’s “visceral, disgust-provoking” two-hander.


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