Both hypervisible but invisible: Hannah Greenstreet reviews a set of nine monologues by Muslim women from across the world.
Hannah Greenstreet
Articles by Hannah Greenstreet
18 September 2017
Reviews • London Theatre • OWE & Fringe • Reviews
Review: Bullish at Camden People’s Theatre
September 12 - September 30
By Hannah Greenstreet
Beyond bullshit stereotypes: Hannah Greenstreet on Milk Presents’ gender fluid reimagining of the Minotaur myth.
16 August 2017
Reviews • Edinburgh Fringe 2017
Edinburgh Fringe Review: Three shows about mental health
Until 28 August 2017
By Hannah Greenstreet
Hannah Greenstreet reviews What if the plane falls out of the sky?, The Soft Subject, and A Super Happy Story (About Feeling Super Sad) at the Edinburgh Fringe 2017.
14 August 2017
Reviews • Edinburgh Fringe 2017
Edinburgh Fringe Review: Lilith: The Jungle Girl at Traverse Theatre
Until 27th August 2017
By Hannah Greenstreet
Wonderfully offbeat and political: Hannah Greenstreet on Sisters Grimm’s queer-feminist satire of nationalism and colonialism.
13 August 2017
Reviews • Edinburgh Fringe 2017
Edinburgh Fringe Review: DollyWould at Summerhall
Until 27 August 2017
By Hannah Greenstreet
A mainstream crossover hit – or is it? Hannah Greenstreet on Sh!t Theatre’s Dolly Parton-inspired show.
11 August 2017
Reviews • Edinburgh Fringe 2017
Edinburgh Fringe Review: Offside at Pleasance Courtyard
Until 28th August 2017
By Hannah Greenstreet
Hannah Greenstreet reviews Futures Theatre’s passionate celebration of women’s football.
10 August 2017
Reviews • Edinburgh Fringe 2017
Edinburgh Fringe Review: Salt at Summerhall
Until 26th August 2017
By Hannah Greenstreet
How do you mourn someone you have never met? – Hannah Greenstreet reviews Selina Thompson’s powerful interrogation of the legacy of slavery.
9 August 2017
Reviews • Edinburgh Fringe 2017
Edinburgh Fringe Review: LANDS at Summerhall
Until 20th August 2017
By Hannah Greenstreet
Puzzling but enjoyable: Hannah Greenstreet on Antler’s bouncing tragi-comedy.
8 August 2017
Reviews • Edinburgh Fringe 2017
Edinburgh Fringe Review: Brutal Cessation + Dust
Until 28th/27th August
By Hannah Greenstreet
Watching through my fingers – Hannah Greenstreet on Milly Thomas’s new plays and theatre’s duty of care.
8 August 2017
Reviews • Edinburgh Fringe 2017
Edinburgh Fringe Review: Five Encounters on a Site Called Craigslist
Until 28th August 2017
By Hannah Greenstreet
“A surprisingly tender theatrical experiment”: Hannah Greenstreet reviews YESYESNONO’s exploration of intimacy.
8 August 2017
Reviews • Edinburgh Fringe 2017 • Reviews
Edinburgh Fringe Review: Adam and Eve at Traverse Theatre
Until 27th August 2017
By Hannah Greenstreet
Lyrical, joyous and vital – Hannah Greenstreet on the National Theatre of Scotland’s two stories about trans experience.
7 August 2017
Reviews • Edinburgh
EIF Review: Meet Me at Dawn at Traverse Theatre
4 - 27 August 2017
By Hannah Greenstreet
Forces you to slow down: Hannah Greenstreet reviews Zinnie Harris’s new work inspired by the myth of Orpheus and Eurydice.
6 August 2017
Reviews • Edinburgh Fringe 2017
Edinburgh Fringe Review: The B*easts at Underbelly
By Hannah Greenstreet
Monica Dolan’s one woman show is a deliberately un-sensationalised exploration of how children are sexualised.
6 August 2017
Reviews • Edinburgh Fringe 2017
Edinburgh Fringe Review: Mouthpiece at Summerhall
By Hannah Greenstreet
Dissonance and vocal fry – Hannah Greenstreet on a performance that explores gendered speech.
17 July 2017
Reviews • London Theatre • OWE & Fringe • Reviews
Review: Mumburger at the Old Red Lion
June 27 - July 22
By Hannah Greenstreet
Patties of human flesh: Hannah Greenstreet can’t get the smell of cooking meat out of her nostrils after Sarah Kosar’s “visceral, disgust-provoking” two-hander.