Hannah Greenstreet writes on Lydia Larson’s hilarious monologue about “the fantasy lives we build to survive”.
Hannah Greenstreet
Articles by Hannah Greenstreet
15 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh review: It’s True, It’s True, It’s True at Underbelly
By Hannah Greenstreet
Visual richness: Hannah Greenstreet writes on the images of Breach Theatre’s show, which dramatises the story of baroque painter Artemisia Gentileschi.
15 August 2018
Reviews
Edinburgh Review: Pickle Jar at Underbelly Cowgate
By Hannah Greenstreet
Pickle Jar is a one-woman show about rape culture, grief, and misplaced guilt.
23 July 2018
Reviews • West End & Central
Review: Pity at the Royal Court
12 July - 11 August 2018
By Hannah Greenstreet
Warning: this review explodes. Hannah Greenstreet grapples with Rory Mullarkey’s new play.
28 June 2018
Reviews • London Theatre • Reviews • West End & Central
Review: One For Sorrow at the Royal Court
June 20 - August 11
By Hannah Greenstreet
Edges, borders, barbed wire: Cordelia Lynn’s bomb attack drama explores the ethics of keeping safe.
24 May 2018
Reviews
Review: RashDash’s Three Sisters at The Yard Theatre
22nd May until 9th June
By Hannah Greenstreet
I’m ready to work: Hannah Greenstreet responds to a frenzied, feminist reimagining of Chekhov with a letter to its creators, RashDash.
30 April 2018
Reviews • OWE & Fringe
Review: Masterpieces at the Finborough Theatre
24 April - 19 May 2018
By Hannah Greenstreet
Not all porn? Hannah Greenstreet reviews a revival of Sarah Daniels’ play about sexism and pornography
28 March 2018
Features • Festivals
Alchymy Festival
By Hannah Greenstreet
Hannah Greenstreet chats to Ellie Keel, producer of Alchymy – a unique Oxford-based festival that’s all about developing new theatre.
20 March 2018
Reviews • London Theatre • OWE & Fringe • Reviews
Review: Big Bad at Vault Festival 2018
March 14 - March 18
By Hannah Greenstreet
Jodi Gray’s wolfish one-woman play is an exploration of ‘monstrous’ femininity and the male gaze.
19 February 2018
Reviews • OWE & Fringe
Review: I Have a Mouth and I Will Scream at Vault Festival 2018
14 - 18 February 2018
By Hannah Greenstreet
‘This is not the end’: Hannah Greenstreet reviews an attempt at starting a feminist revolution inside a theatre.
6 February 2018
Reviews • OWE & Fringe
Review: Collective Rage at the Southwark Playhouse
24 January - 17 February 2018
By Hannah Greenstreet
Gets very meta very quickly: Hannah Greenstreet reviews Jen Silverman’s play about five Betties
29 January 2018
Reviews • OWE & Fringe
Review: The Words Are Coming Now at Theatre503
By Hannah Greenstreet
Words can be weaponised: ten short plays expose the challenges of introducing nuance to the #MeToo conversation.
6 December 2017
Features • Q&A and Interviews
Callisto: A Queer Epic
By Hannah Greenstreet
Hannah Greenstreet sits in on rehearsals for Forward Arena’s queer, time-hopping epic.
14 November 2017
Reviews • OWE & Fringe
Review: Til We Meet In England at Safehouse, Peckham
By Hannah Greenstreet
Hannah Greenstreet on the “unforced relevance” of an immersive reimagining of Elizabeth Inchbald’s 1792 play.
9 November 2017
Reviews • OWE & Fringe
Review: All In at New Diorama Theatre
By Hannah Greenstreet
Playing games: Hannah Greenstreet on a beguiling, political piece about group psychology by Barcelona-based company ATRESBANDES.