‘Manipulate is not quite the right word…’: Hannah Greenstreet is left confused by James Rowland’s new show.
Hannah Greenstreet
Articles by Hannah Greenstreet
20 August 2018
Reviews • Edinburgh Fringe 2018 • Reviews
Edinburgh Review: A Generous Lover at Summerhall
By Hannah Greenstreet
A modernist odyssey: Hannah Greenstreet writes on La JohnJoseph’s lyrical solo show.
19 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh fringe review: Ladykiller by The Thelmas
Until 27th August
By Hannah Greenstreet
Bloody funny: Hannah Greenstreet writes on a comic monologue about a female psychopath.
19 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh Review: Power Play: The Empty Chair at Pleasance Pop-Up
Until 25 August 2018
By Hannah Greenstreet
Can we talk about #metoo plays? Hannah Greenstreet reviews a play exploring sexual abuse in Hollywood.
18 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh Review: See-Through at Summerhall
Until 26 August 2018
By Hannah Greenstreet
The contemporary confessional: Hannah Greenstreet reviews Claire Gaydon’s Youtuber show.
17 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh fringe review: Queens of Sheba at Underbelly
By Hannah Greenstreet
A chorus and a sisterhood: Hannah Greenstreet on Nouveau Riché’s poetic exploration of misogynoir.
17 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh review: Sparks at Pleasance Courtyard
Until 26th August
By Hannah Greenstreet
Gentle and gently devastating: Hannah Greenstreet writes on Jessica Butcher’s exploration of a mother-daughter relationship.
16 August 2018
Reviews • Edinburgh Fringe 2018 • Reviews
Edinburgh Review: What Girls Are Made Of at Traverse
By Hannah Greenstreet
What Girls Are Made Of looks back on a teenage brush with stardom with adult wisdom and a 90s soundtrack.
16 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh review: Finding Fassbender at Pleasance
Until 27th August
By Hannah Greenstreet
Hannah Greenstreet writes on Lydia Larson’s hilarious monologue about “the fantasy lives we build to survive”.
15 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh review: It’s True, It’s True, It’s True at Underbelly
By Hannah Greenstreet
Visual richness: Hannah Greenstreet writes on the images of Breach Theatre’s show, which dramatises the story of baroque painter Artemisia Gentileschi.
15 August 2018
Reviews
Edinburgh Review: Pickle Jar at Underbelly Cowgate
By Hannah Greenstreet
Pickle Jar is a one-woman show about rape culture, grief, and misplaced guilt.
23 July 2018
Reviews • West End & Central
Review: Pity at the Royal Court
12 July - 11 August 2018
By Hannah Greenstreet
Warning: this review explodes. Hannah Greenstreet grapples with Rory Mullarkey’s new play.
28 June 2018
Reviews • London Theatre • Reviews • West End & Central
Review: One For Sorrow at the Royal Court
June 20 - August 11
By Hannah Greenstreet
Edges, borders, barbed wire: Cordelia Lynn’s bomb attack drama explores the ethics of keeping safe.
24 May 2018
Reviews
Review: RashDash’s Three Sisters at The Yard Theatre
22nd May until 9th June
By Hannah Greenstreet
I’m ready to work: Hannah Greenstreet responds to a frenzied, feminist reimagining of Chekhov with a letter to its creators, RashDash.
30 April 2018
Reviews • OWE & Fringe
Review: Masterpieces at the Finborough Theatre
24 April - 19 May 2018
By Hannah Greenstreet
Not all porn? Hannah Greenstreet reviews a revival of Sarah Daniels’ play about sexism and pornography