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Hannah Greenstreet


Hannah is a writer, academic and theatre critic. She is London Reviews co-Editor for Exeunt, with a focus on fringe and Off-West End theatre. She is researching an AHRC-funded PhD on contemporary feminist theatre and realism at the University of Oxford. She is also a playwright and has worked with Soho Writers' Lab, the North Wall Arts Centre, and Menagerie Theatre Company.


Articles by Hannah Greenstreet


Edinburgh Review: Revelations at Summerhall
21 August 2018
Reviews • Edinburgh Fringe 2018

Edinburgh Review: Revelations at Summerhall

Until 26 August 2018
By Hannah Greenstreet

‘Manipulate is not quite the right word…’: Hannah Greenstreet is left confused by James Rowland’s new show.


Edinburgh Review: A Generous Lover at Summerhall
20 August 2018
Reviews • Edinburgh Fringe 2018 • Reviews

Edinburgh Review: A Generous Lover at Summerhall

By Hannah Greenstreet

A modernist odyssey: Hannah Greenstreet writes on La JohnJoseph’s lyrical solo show.


Edinburgh fringe review: Ladykiller by The Thelmas
19 August 2018
Reviews • Edinburgh Fringe 2018

Edinburgh fringe review: Ladykiller by The Thelmas

Until 27th August
By Hannah Greenstreet

Bloody funny: Hannah Greenstreet writes on a comic monologue about a female psychopath.


Edinburgh Review: Power Play: The Empty Chair at Pleasance Pop-Up
19 August 2018
Reviews • Edinburgh Fringe 2018

Edinburgh Review: Power Play: The Empty Chair at Pleasance Pop-Up

Until 25 August 2018
By Hannah Greenstreet

Can we talk about #metoo plays? Hannah Greenstreet reviews a play exploring sexual abuse in Hollywood.


Edinburgh Review: See-Through at Summerhall
18 August 2018
Reviews • Edinburgh Fringe 2018

Edinburgh Review: See-Through at Summerhall

Until 26 August 2018
By Hannah Greenstreet

The contemporary confessional: Hannah Greenstreet reviews Claire Gaydon’s Youtuber show.


Edinburgh fringe review: Queens of Sheba at Underbelly
17 August 2018
Reviews • Edinburgh Fringe 2018

Edinburgh fringe review: Queens of Sheba at Underbelly

By Hannah Greenstreet

A chorus and a sisterhood: Hannah Greenstreet on Nouveau Riché’s poetic exploration of misogynoir.


Edinburgh review: Sparks at Pleasance Courtyard
17 August 2018
Reviews • Edinburgh Fringe 2018

Edinburgh review: Sparks at Pleasance Courtyard

Until 26th August
By Hannah Greenstreet

Gentle and gently devastating: Hannah Greenstreet writes on Jessica Butcher’s exploration of a mother-daughter relationship.


Edinburgh Review: What Girls Are Made Of at Traverse
16 August 2018
Reviews • Edinburgh Fringe 2018 • Reviews

Edinburgh Review: What Girls Are Made Of at Traverse

By Hannah Greenstreet

What Girls Are Made Of looks back on a teenage brush with stardom with adult wisdom and a 90s soundtrack.


Edinburgh review: Finding Fassbender at Pleasance
16 August 2018
Reviews • Edinburgh Fringe 2018

Edinburgh review: Finding Fassbender at Pleasance

Until 27th August
By Hannah Greenstreet

Hannah Greenstreet writes on Lydia Larson’s hilarious monologue about “the fantasy lives we build to survive”.


Edinburgh review: It’s True, It’s True, It’s True at Underbelly
15 August 2018
Reviews • Edinburgh Fringe 2018

Edinburgh review: It’s True, It’s True, It’s True at Underbelly

By Hannah Greenstreet

Visual richness: Hannah Greenstreet writes on the images of Breach Theatre’s show, which dramatises the story of baroque painter Artemisia Gentileschi.


Edinburgh Review: Pickle Jar at Underbelly Cowgate
15 August 2018
Reviews

Edinburgh Review: Pickle Jar at Underbelly Cowgate

By Hannah Greenstreet

Pickle Jar is a one-woman show about rape culture, grief, and misplaced guilt.


Review: Pity at the Royal Court
23 July 2018
Reviews • West End & Central

Review: Pity at the Royal Court

12 July - 11 August 2018
By Hannah Greenstreet

Warning: this review explodes. Hannah Greenstreet grapples with Rory Mullarkey’s new play.


Review: One For Sorrow at the Royal Court
28 June 2018
Reviews • London Theatre • Reviews • West End & Central

Review: One For Sorrow at the Royal Court

June 20 - August 11
By Hannah Greenstreet

Edges, borders, barbed wire: Cordelia Lynn’s bomb attack drama explores the ethics of keeping safe.


Review: RashDash’s Three Sisters at The Yard Theatre
24 May 2018
Reviews

Review: RashDash’s Three Sisters at The Yard Theatre

22nd May until 9th June
By Hannah Greenstreet

I’m ready to work: Hannah Greenstreet responds to a frenzied, feminist reimagining of Chekhov with a letter to its creators, RashDash.


Review: Masterpieces at the Finborough Theatre
30 April 2018
Reviews • OWE & Fringe

Review: Masterpieces at the Finborough Theatre

24 April - 19 May 2018
By Hannah Greenstreet

Not all porn? Hannah Greenstreet reviews a revival of Sarah Daniels’ play about sexism and pornography


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