Are we really post-feminism? Hannah Greenstreet writes on an irony-heavy exploration of the plight of men.
Hannah Greenstreet
Articles by Hannah Greenstreet
9 August 2019
Reviews • Edinburgh Fringe 2019
Edinburgh Fringe Review: Daughterhood by Charley Miles
31st July - 25th August
By Hannah Greenstreet
Sisterly love: Hannah Greenstreet writes that Charley Miles’ sibling narrative rings true.
8 August 2019
Reviews • Edinburgh Fringe 2019
Edinburgh Fringe Review: Pink Lemonade and Since U Been Gone at Assembly
By Hannah Greenstreet
Do you really see me? Hannah Greenstreet writes on The Queer House’s double bill of autobiographical performances.
8 August 2019
Reviews • Edinburgh Fringe 2019
Edinburgh Fringe Review: Enough at Traverse Theatre
By Hannah Greenstreet
Jet set go: Hannah Greenstreet writes on Stef Smith’s narrative of two air hostesses whose friendship is in flux.
7 August 2019
Reviews • Edinburgh Fringe 2019
Edinburgh Fringe Review: Daddy Drag at Summerhall
31st July - 25th August
By Hannah Greenstreet
“Call me Daddy”: Hannah Greenstreet writes on Leyla Josephine’s drag king show about fatherhood.
5 August 2019
Reviews • Edinburgh Fringe 2019
Edinburgh Fringe Review: Crocodile Fever at the Traverse
2-25 August
By Hannah Greenstreet
Full-on horror: Hannah Greenstreet writes on Meghan Tyler’s narrative of two vengeful sisters in Northern Ireland.
3 August 2019
Reviews
Review: The Worst Witch at Vaudeville Theatre
24th July - 8th September
By Hannah Greenstreet
Tea and sibling rivalry: Miss Cackle and Miss Hardbroom – aka Alice Saville and Hannah Greenstreet – report on Cackle’s Academy’s school production.
7 July 2019
Reviews • OWE & Fringe
Review: Grey at Ovalhouse
27 June - 13 July
By Hannah Greenstreet
‘Depression is not poetic’: Hannah Greenstreet writes on Koko Brown’s show about depression, which combines spoken-word, vocal looping and BSL.
9 June 2019
Reviews • OWE & Fringe
Review: Armadillo at the Yard
30th May - 22nd June
By Hannah Greenstreet
‘Jagged flashes of the hyperreal’: Hannah Greenstreet reviews Sarah Kosar’s new play, which explores a woman’s complicated relationship with guns.
9 May 2019
Reviews • OWE & Fringe
Review: Jude at Hampstead Theatre
By Hannah Greenstreet
Liberal tragedy: Hannah Greenstreet reviews Jude, ‘a stylistically muddled’ take on Thomas Hardy’s Jude the Obscure.
5 April 2019
Reviews • West End & Central
Review: Top Girls at the National Theatre
By Hannah Greenstreet
“If Caryl Churchill can’t have a large cast, who can?”: Hannah Greenstreet’s tripartite response to Top Girls explores its place in the theatre canon.
31 March 2019
Reviews • OWE & Fringe
Review: Grief is the Thing with Feathers at the Barbican
By Hannah Greenstreet
Black feathers on your pillow: Hannah Greenstreet writes on Enda Walsh’s scratchy, crow-filled exploration of mourning.
27 March 2019
Reviews • OWE & Fringe
Review: Wolfie at Theatre 503
By Hannah Greenstreet
‘An urgent howl of social responsibility’: Hannah Greenstreet reviews Ross Willis’ magical realist new play about twins in the care system.
25 March 2019
Features
An Emilia Dialogue
By Hannah Greenstreet
As Emilia hits the West End, Hannah Greenstreet and Amy Borsuk discuss its metatheatricality, its Jewish parallels, its role as feminist historical fiction, and more.
1 March 2019
Reviews • OWE & Fringe
Review: SEX SEX MEN MEN at the Yard Theatre
26th February - 16th March
By Hannah Greenstreet
‘A plethora of pleasurable acts, presented with nuance, gender-theory and heart’: Hannah Greenstreet writes on Pecs Drag Kings’ show exploring the seepage of gender binaries.