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Hannah Greenstreet


Hannah is a writer, academic and theatre critic. She is London Reviews co-Editor for Exeunt, with a focus on fringe and Off-West End theatre. She has a PhD in contemporary feminist theatre and form from the University of Oxford and is now a lecturer at the University of Liverpool. She is also a playwright and has worked with Camden People's Theatre, Soho Writers' Lab, the North Wall Arts Centre, and Menagerie Theatre Company.


Articles by Hannah Greenstreet


Review: The Glow, Royal Court Theatre
29 January 2022
Reviews • West End & Central

Review: The Glow, Royal Court Theatre

By Hannah Greenstreet

Let there be light: Hannah Greenstreet reviews Alistair McDowall’s dazzling new play.


Review: Peggy for You at Hampstead Theatre
20 December 2021
Reviews • OWE & Fringe

Review: Peggy for You at Hampstead Theatre

10 December - 29 January
By Hannah Greenstreet

New writing, old tropes: Hannah Greenstreet reviews an overly reverent backward-looking take on the story of formidable literary agent Peggy Ramsay.


Review: Mrs Delgado at the Old Fire Station, Oxford
13 December 2021
Reviews • National • Oxford

Review: Mrs Delgado at the Old Fire Station, Oxford

8 - 21 December
By Hannah Greenstreet

‘There is a kind of pleasure in judging other people’: Hannah Greenstreet writes on Mike Bartlett’s monologue exploring social mores in lockdown.


Review: Athena at the Yard
10 October 2021
Reviews • OWE & Fringe

Review: Athena at the Yard

4 - 23rd October
By Hannah Greenstreet

En garde: Hannah Greenstreet writes on Gracie Gardner’s ‘poised, a little weird and deeply funny’ play about a friendship between two teenage fencers.


Review: Rockets and Blue Lights, National Theatre
6 September 2021
Reviews • West End & Central

Review: Rockets and Blue Lights, National Theatre

25 August - 9 October
By Hannah Greenstreet

Ripples from the past: Hannah Greenstreet writes on Winsome Pinnock’s epic new play exploring the legacies of Britain’s role in the transatlantic slave trade.


Review: Paradise at National Theatre
15 August 2021
Reviews • West End & Central

Review: Paradise at National Theatre

By Hannah Greenstreet

A festering wound: Hannah Greenstreet writes on Kae Tempest’s ‘savagely poetic’ adaptation of Philoctetes by Sophocles.


Review: Under the Mask at Oxford Playhouse
19 July 2021
Reviews • National • Oxford

Review: Under the Mask at Oxford Playhouse

12-15 July, then touring
By Hannah Greenstreet

Dispatches: Hannah Greenstreet reviews Shaan Sahota’s play informed by her experience as a junior doctor on a Covid ward.


Review: Living Newspaper: A Counter Narrative at the Royal Court (online)
8 April 2021
Reviews

Review: Living Newspaper: A Counter Narrative at the Royal Court (online)

By Hannah Greenstreet

Hot off the press: Hannah Greenstreet reviews the Royal Court’s eclectic online experiment in rapid-response theatre.


Review: F**ked up Bedtime Stories, English Touring Theatre (Podcast)
5 October 2020
Reviews

Review: F**ked up Bedtime Stories, English Touring Theatre (Podcast)

By Hannah Greenstreet

Sing me to sleep: Hannah Greenstreet reviews an unsettling, discordant set of stories from English Touring Theatre.


Review: Faith Healer, Old Vic: In Camera
20 September 2020
Reviews

Review: Faith Healer, Old Vic: In Camera

By Hannah Greenstreet

“You must awake your faith”: Hannah Greenstreet writes on the Old Vic’s livestreamed production of Faith Healer with Michael Sheen.


Redux Review: Anatomy of a Suicide
18 August 2020
Reviews • Redux Reviews

Redux Review: Anatomy of a Suicide

By Hannah Greenstreet

Echoes through time: Hannah Greenstreet writes on her encounters with Alice Birch’s haunting exploration of intergenerational trauma.


Review: Yard Online
19 May 2020
Reviews • OWE & Fringe

Review: Yard Online

17th May
By Hannah Greenstreet

Hope and healing: Hannah Greenstreet writes on the intimate, soothing and disconcerting interactive digital performances at The Yard’s one day festival.


Review: Shoe Lady at the Royal Court
12 March 2020
Reviews • West End & Central

Review: Shoe Lady at the Royal Court

4th March - 21st March
By Hannah Greenstreet

‘An odyssey in miniature’: Hannah Greenstreet writes on E.V. Crowe’s new play about a woman whose life spirals out of control when she loses a shoe.


Review: The High Table at the Bush Theatre
18 February 2020
Reviews • OWE & Fringe

Review: The High Table at the Bush Theatre

8th February - 21st March
By Hannah Greenstreet

Heaven-sent: Hannah Greenstreet writes on Temi Wilkey’s moving queer Nigerian love story, set in London and the afterlife.


Review: Nora at the Young Vic
13 February 2020
Reviews • West End & Central

Review: Nora at the Young Vic

By Hannah Greenstreet

Nora, in triplicate: Hannah Greenstreet writes on the historical and economic themes of Stef Smith’s reimagined ‘A Doll’s House’.


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