Outside in: Frey Kwa Hawking writes on the second of the Orange Tree’s livestreamed collection of short plays, which ‘draw a thick line between where we’ve come from and where we’re going’.

“A whole world between my fingers”: An expansive story about food (in)security and seedbanks sprouts from No Stone Theatre’s podcast, writes Frey Kwa Hawking.

‘To be responsive is to be quick on your feet but no less considered for it’: Frey Kwa Hawking writes on Roy Williams and Clint Dyer’s agile sequel to Death of England.

Sleeping alone, together: Frey Kwa Hawking writes on Robert Softley Gale’s ‘extremely localised but fiercely expansive’ digital performance moving through his bedtime routine.

How does your garden grow?: Frey Kwa Hawking digs into Mike Bartlett’s leafy exploration of Englishness.

“I grin hard enough to hurt”: Frey Kwa Hawking writes on the joys and agonies of Mike Lew’s high school Shakespeare.

Flights of fancy: Frey Kwa Hawking writes on a whimsical staging of the 2001 Parisian romcom.

‘Show me where you fit’: Frey Kwa Hawking writes on Bijan Sheibani’s new play exploring the reconnection of two brothers.