‘Ironic little ski dances’: Frey Kwa Hawking writes on a theatrical adaptation of Ruben Östlund’s film that explores an off-kilter family on the slopes.

Death by tasteful: Frey Kwa Hawking is underwhelmed by an overly safe, moneyed take on Cabaret.

Let the good times roll: Frey Kwa Hawking writes about Birmingham Rep and National Theatre’s celebratory 25th anniversary staging of East is East.

Outside in: Frey Kwa Hawking writes on the second of the Orange Tree’s livestreamed collection of short plays, which ‘draw a thick line between where we’ve come from and where we’re going’.

“A whole world between my fingers”: An expansive story about food (in)security and seedbanks sprouts from No Stone Theatre’s podcast, writes Frey Kwa Hawking.

‘To be responsive is to be quick on your feet but no less considered for it’: Frey Kwa Hawking writes on Roy Williams and Clint Dyer’s agile sequel to Death of England.

Sleeping alone, together: Frey Kwa Hawking writes on Robert Softley Gale’s ‘extremely localised but fiercely expansive’ digital performance moving through his bedtime routine.

How does your garden grow?: Frey Kwa Hawking digs into Mike Bartlett’s leafy exploration of Englishness.