Gillie Kleiman’s poetic exploration of the social role of dance and her new project, A Lyrical Dance Concert.
Diana Damian Martin

Articles by Diana Damian Martin
7 October 2014
Features
Exhibit B: A Conversation
By Diana Damian Martin
A discussion of the issues surrounding the recent cancellation of Brett Bailey’s ‘human zoo’.
24 May 2014
Features • Performance
Coming Home
By Diana Damian Martin
Eleanor Zeichner on Brienna Macnish’s Home, part of the 2014 Next Wave Festival.
13 May 2014
Features • Performance
Disability, Process and Integration
By Diana Damian Martin
Lucy Bennett, Artistic Director of Stopgap Dance Company, on dance and social integration.
25 April 2014
Features • Performance
Battalia’s Graveyard
By Diana Damian Martin
Eleanor Zeichner discusses the work of Australian performance collective Too Many Weapons.
28 March 2014
Reviews • Performance
Dissolved
Beaconsfield and Sophiensaele ⋄ 6th-22nd March 2014
By Diana Damian Martin
The question of authenticity.
25 March 2014
Features • Performance
Best Before End
By Diana Damian Martin
Helen Paris and Leslie Hill on proximity and performance.
23 March 2014
Reviews • Performance
I Wish I was Lonely
BAC ⋄ 24th February - 15th March 2014
By Diana Damian Martin
The rhetoric of intimacy.
4 March 2014
Features • Performance • Q&A and Interviews
Distance in Performance
By Diana Damian Martin
Artist Insights: Julian Maynard Smith
26 February 2014
Reviews • Brighton • Performance
The English Channel
Brighton Dome ⋄ 8th February 2014
By Diana Damian Martin
A celebration of defiance.
26 February 2014
Features • Diana's Column • Opinion • Performance
A snapshot-response on criticism and practice
By Diana Damian Martin
Criticism, embededdnes and moments of delineation.
11 February 2014
Features • Performance
Madonna Arms
By Diana Damian Martin
Eleanor Zeichner discusses the work of Australian feminist collective, I’m Trying to Kiss You.
7 February 2014
Reviews • Performance
Work-shy
Chelsea Theatre ⋄ 1st - 2nd February 2014
By Diana Damian Martin
Burger King and data analysis.
7 February 2014
Features • Essays • Performance
At The Shattered Edge
By Diana Damian Martin
Gareth Damian-Martin on J.G Ballard, John Cage, performance and the novel.
26 January 2014
Reviews • Performance
And You Were Wonderful, On Stage
Tate Britain ⋄ 21st January 2014
By Diana Damian Martin
Institutionalized critique.