Exeunt
  • Reviews
    • London Theatre
    • National
    • Performance
    • Dance
    • Opera
  • Features
    • Q&A and Interviews
    • Essays
    • Opinion
    • Artist-in-Residence
    • Critical Futures
    • Books
  • Performance
  • New York City
  • Podcasts
  • About Exeunt
    • Staff & Contributors
    • Contact Us

exeunt


magazine
  • Reviews
    • London Theatre
    • National
    • Performance
    • Dance
    • Opera
  • Features
    • Q&A and Interviews
    • Essays
    • Opinion
    • Artist-in-Residence
    • Critical Futures
    • Books
  • Performance
  • New York City
  • Podcasts
  • About Exeunt
    • Staff & Contributors
    • Contact Us

Diana Damian Martin


Diana Damian Martin

Diana Damian Martin is a London-based performance critic, curator and theorist. She writes about theatre and performance for a range of publications including Divadlo CZ, Scenes and Teatro e Critica. She was Managing Editor of Royal Holloway's first practice based research publication and Guest Editor for postgraduate journal Platform between 2012-2015. She is co-founder of Writingshop, a long term collaborative project with three European critics examining the processes and politics of contemporary critical practice, and a member of practice-based research collective Generative Constraints. She is completing her doctoral study 'Criticism as a Political Event: theorising a practice of contemporary performance criticism' at Royal Holloway, University of London and is a Lecturer in Performance Arts at Royal Central School of Speech and Drama.


Articles by Diana Damian Martin


Dance Social
15 October 2014
Features • Performance

Dance Social

By Diana Damian Martin

Gillie Kleiman’s poetic exploration of the social role of dance and her new project, A Lyrical Dance Concert.


Exhibit B: A Conversation
7 October 2014
Features

Exhibit B: A Conversation

By Diana Damian Martin

A discussion of the issues surrounding the recent cancellation of Brett Bailey’s ‘human zoo’.


Coming Home
24 May 2014
Features • Performance

Coming Home

By Diana Damian Martin

Eleanor Zeichner on Brienna Macnish’s Home, part of the 2014 Next Wave Festival.


Disability, Process and Integration
13 May 2014
Features • Performance

Disability, Process and Integration

By Diana Damian Martin

Lucy Bennett, Artistic Director of Stopgap Dance Company, on dance and social integration.


Battalia’s Graveyard
25 April 2014
Features • Performance

Battalia’s Graveyard

By Diana Damian Martin

Eleanor Zeichner discusses the work of Australian performance collective Too Many Weapons.


Dissolved
28 March 2014
Reviews • Performance

Dissolved

Beaconsfield and Sophiensaele ⋄ 6th-22nd March 2014
By Diana Damian Martin

The question of authenticity.


Best Before End
25 March 2014
Features • Performance

Best Before End

By Diana Damian Martin

Helen Paris and Leslie Hill on proximity and performance.


I Wish I was Lonely
23 March 2014
Reviews • Performance

I Wish I was Lonely

BAC ⋄ 24th February - 15th March 2014
By Diana Damian Martin

The rhetoric of intimacy.


Distance in Performance
4 March 2014
Features • Performance • Q&A and Interviews

Distance in Performance

By Diana Damian Martin

Artist Insights: Julian Maynard Smith


The English Channel
26 February 2014
Reviews • Brighton • Performance

The English Channel

Brighton Dome ⋄ 8th February 2014
By Diana Damian Martin

A celebration of defiance.


A snapshot-response on criticism and practice
26 February 2014
Features • Diana's Column • Opinion • Performance

A snapshot-response on criticism and practice

By Diana Damian Martin

Criticism, embededdnes and moments of delineation.


Madonna Arms
11 February 2014
Features • Performance

Madonna Arms

By Diana Damian Martin

Eleanor Zeichner discusses the work of Australian feminist collective, I’m Trying to Kiss You.


Work-shy
7 February 2014
Reviews • Performance

Work-shy

Chelsea Theatre ⋄ 1st - 2nd February 2014
By Diana Damian Martin

Burger King and data analysis.


At The Shattered Edge
7 February 2014
Features • Essays • Performance

At The Shattered Edge

By Diana Damian Martin

Gareth Damian-Martin on J.G Ballard, John Cage, performance and the novel.


And You Were Wonderful, On Stage
26 January 2014
Reviews • Performance

And You Were Wonderful, On Stage

Tate Britain ⋄ 21st January 2014
By Diana Damian Martin

Institutionalized critique.


  • Page 4 of 14
  • Previous
  • 1
  • 2
  • 3
  • 4 (current)
  • 5
  • 6
  • 7
  • 8
  • Next
  • Last
Features
  • Q&A and Interviews
  • Essays
  • Opinion
  • Podcast
Reviews
  • OWE & Fringe
  • West End & Central
  • National
  • NYC
  • Performance

exeunt

  • About Exeunt
  • Staff & Contributors
  • Contact Us
  • Subscribe