“Transporting and hypnotic”: Dave Fargnoli reviews Lyndsey Turner’s production of Brian Friel’s play.
“On the night of a rare, red-tinted full moon…” Dave Fargnoli reviews Crick Crack Club’s latest evening of storytelling for grown-ups.
Grubby nostalgia: Dave Fargnoli reviews a perfectly teenage commission from the BRIT School’s Bridge Company.
The great destroyer or the great creator? Dave Fargnoli reviews the latest night of storytelling from Crick Crack Club.
“And there are cat memes. Lots of cat memes.” Dave Fargnoli reviews Darknet at the Southwark Playhouse.
Trust the party: Dave Fargnoli reviews Anders Lustgarten’s exploration of China.
Dave Fargnoli reviews Hannah Khalil’s work that “captures a very human perspective on ordinary lives lived under extraordinary pressures.”
“It all feels a little like you’ve fallen asleep to a bedtime story and taken up the tale in a dream.” Dave Fargnoli sails downstream to the Old Red Lion.
Dave Fargnoli reviews Hemingway’s “raw, sometimes rambling cocktail of spy thriller, romance, and self-insert fiction.”
Engineer Theatre Collective’s new work is “full of posturing, privilege, and some really quite charming social awkwardness.”
“Feels less like drama and more like a dissertation.”
“Less a play with songs, and more a full-on rock concert fronted by a charismatic performer playing an even more charismatic performer.” Dave Fargnoli reviews Peter Arnott’s work.
“Part Mumsnet cry-for-help, part frontline dispatch.” Dave Fargnoli reviews Nina Segal’s new play.
“Director Michael Longhurst energetically tackles all the perceived problems with the ‘problem play.’” Dave Fargnoli reviews Exeunt’s favourite Shakespeare.
Star-crossed lovers in an artificial reality.