Striking images: Crystal Bennes compares two works by Polish company Teatr Biuro Podrozy.
Crystal Bennes responds to an opinion-splitting Fringe First winner by synthesising professional and public reviews.
Overburdened and oversensationalised: Crystal Bennes is unmoved by a monologue that tries to do too much.
‘Deeply, profoundly ridiculous, but an enjoyable night at the theatre all the same’: Crystal Bennes reviews an attempted update of John Gay’s ballad opera.
Destroyed lives: Crystal Bennes writes on a powerful exploration of racially-motivated miscarriages of justice.
Everything is not going to plan: Crystal Bennes reviews a piece of visual theatre about disrupting routines.
Unmoored: Crystal Bennes reviews a play loosely based on Hopscotch by Julio Cortázar.
Sleeping is a kind of time travel… Crystal Bennes reviews a spoken word performance by Rosy Carrick.
A sacred leaf: Colombian artist Miguel Hernando Torres Umba performs this exploration of the narcotrafficking industry.
Behind our Skin reveals ‘the power of simply telling stories.’
Language is the weapon of choice: Crystal Bennes reviews a school-set play about learning difficulties and parent-teacher confrontations.
Just plain fun: Crystal Bennes on a riotously camp version of Bram Stoker’s blood-sucking horror classic.
Olympian struggles: Henry Naylor’s play explores the histories of two female German Jewish athletes.
Sin, sex and death: Crystal Bennes on a concert-style production of the great opera.
An insight into life as a policeman proves there’s more to the army than the Military Tattoo.