Dinner and a show: Swamp Studios’ immersive drama is as light and fluffy as Dishoom’s biryani.
The female currency of war: Natalâ€™ya Vorozhbitâ€™s harrowing new play explores conflict in Ukraine
Images of trauma: Corrie Tan on a didactic revival of Brecht’s classic, starring comedian Josie Lawrence.
A tender chemistry: Corrie Tan reviews the premiere of Stewart Pringle’s Papatango Prize-winning play.
A stunning, heartrending performance by Erin Doherty: Corrie Tan reviews a revival of Alan Rickman and Katharine Viner’s play.
“It’s an almost slavish adherence, but it pays off eventually”: Corrie Tan reviews Ellen McDougall’s adaptation of Jose Saramago’s 1997 short story.
Drink and dullness: Corrie Tan reviews John Tiffany’s revival of Jim Cartwright’s Road.
An empty philosophical exercise: Corrie Tan isn’t impressed by the “flat, dry” UK premiere of Ferdinand von Schirach’s globe-trotting interactive play.
Corrie Tan finds that “Shepardâ€™s 1985 text still glitters with despair and devastation.”
The yes-no of it: Corrie Tan reviews Nina Raineâ€™s “exquisitely devastating” new play.
The juvenile nature of war: Corrie Tan reviews Yellow Earth Theatre’s production of Tamburlaine.
An amuse bouche of a political documentary: Corrie Tan reviews the National Theatre’s response to Brexit.
A wide-eyed discovery of the world: Corrie Tan reviews Superbolt Theatre’s new play about a group of martians.
We are all aliens: Corrie Tan reviews Tim Foley’s “science fiction on a shoestring” play.
â€˜Mouse Toiletâ€™, â€˜Blood Armyâ€™, and â€˜Road Queenâ€™: Corrie Tan reviews ImmerCity’s immersive production at the Vaults Festival 2017.