Not the most exciting soiree… Chris McCormack sets up a party he’d rather not attend in bluemouth inc’s immersive experience.
Chris McCormack
Articles by Chris McCormack
16 August 2017
Reviews • Edinburgh Fringe 2017
Edinburgh Fringe Review: The Crossing Place at Summerhall
Until 27th August
By Chris McCormack
Lost in translation: Chris McCormack finds muddled meanings in Romantika’s adaption of Tomas Tranströmer’s poetry.
15 August 2017
Reviews • Edinburgh Fringe 2017
Edinburgh Fringe Review: Trygve vs a Baby at Assembly Roxy
Until 27 August 2017
By Chris McCormack
Dream big, my son: Chris McCormack sees Trygve Wakenshaw take to the stage with a co-star toddler.
15 August 2017
Reviews • Edinburgh Fringe 2017
Edinburgh Fringe Review: Cirkopolis at Pleasance
Until 28th August
By Chris McCormack
Illusions and worship: Chris McCormack reviews an acrobatic take on Fritz Lang’s Metropolis.
14 August 2017
Reviews • Edinburgh Fringe 2017
Edinburgh Fringe Review: Ubu Roi at Summerhall
Until 27 August 2017
By Chris McCormack
Like bottling a hurricane: a confused staging of the proto-absurdist classic.
13 August 2017
Reviews • Edinburgh Fringe 2017
Edinburgh Fringe Review: Instructions for Border Crossing at Summerhall
11 - 26 August 2017
By Chris McCormack
Daniel Bye’s new performance is an exploration of borders, solidarity and revolt.
12 August 2017
Reviews • Edinburgh Fringe 2017
Edinburgh Fringe Review: Palmyra at Summerhall
By Chris McCormack
Inspired by a destroyed Syrian city, this playful performance burns with violence.
12 August 2017
Reviews • Edinburgh Fringe 2017
Edinburgh Fringe Review: £¥€$ (LIES) at Summerhall
Until 27th August
By Chris McCormack
From prosperity to crash: Chris McCormack invests real money in Ontroend Goed’s immersive, banking-inspired show.
12 August 2017
Reviews • Edinburgh Fringe 2017
Edinburgh Fringe Review: Séance at Summerhall
Until 26th August
By Chris McCormack
Voices from beyond the grave: Chris McCormack makes contact with the spirit realm in Darkfield’s new installation.
2 August 2017
Reviews • Dublin
Review: Jimmy’s Hall at the Abbey Theatre, Dublin
31 July - 19 August 2017
By Chris McCormack
Space for freethinking: Chris McCormack reviews the Abbey Theatre’s adaptation of a Ken Loach film.
1 August 2017
Reviews • Dublin
Review: Talk to Me like the Rain at Bewley’s Café Theatre @ Powerscourt, Dublin
26 July - 9 September 2017
By Chris McCormack
Dreaming of a new destination: Chris McCormack reviews a double bill of two short plays by Tennessee Williams.
31 July 2017
Reviews • Galway
Review: The Second Violinist at Galway International Festival
By Chris McCormack
Strindbergian in intensity: Chris McCormack reviews Donnacha Dennehy and Enda Walsh’s new opera.
27 July 2017
Reviews • Dublin • National • Reviews
Review: The Water Orchard at Project Arts Centre, Dublin
July 18 - July 29
By Chris McCormack
A magical flourish: Chris McCormack reviews Collapsing Horse’s production of a surreal Chekhovian comedy.
20 July 2017
Reviews • Galway
Review: Crestfall at Galway International Arts Festival
18 - 29 July 2017
By Chris McCormack
A vivid plane of toxic femininity: Chris McCormack reviews Druid’s revival of Mark O’Rowe controversial play.
19 July 2017
Reviews • Galway • National • Reviews
Review: Woyzeck in Winter at Galway International Arts Festival
July 13 - July 23
By Chris McCormack
“A blast of bitter wilderness”: Chris McCormack reviews Conall Morrison’s chilly musical adaptation of Georg Büchner’s unfinished classic.