“The majority of parts written for women are shit compared to what the lads get to do.”
Catherine Love

Articles by Catherine Love
20 March 2015
Reviews • West End & Central
The Father
Trafalgar Studios ⋄ 11th March - 11th April 2015
By Catherine Love
Love is war.
19 March 2015
Features
Myths of Survival
By Catherine Love
A classicist’s take on British theatre’s current fascination with the Ancient Greeks.
16 March 2015
Reviews • OWE & Fringe
WINK
Theatre 503 ⋄ 10th March - 4th April 2015
By Catherine Love
Digital natives.
11 March 2015
Features • Performance
Doing Things with Bodies
By Catherine Love
Catherine Love on dance, performance and the Forest Fringe’s recent residency at The Place.
11 March 2015
Features
Fighting for the Future
By Catherine Love
On Nottingham Playhouse’s revival of Posh and the theatre’s response to funding cuts.
9 March 2015
Reviews • OWE & Fringe
Peddling
Arcola Theatre ⋄ 4th-28th March 2015
By Catherine Love
Urban lyricism.
4 March 2015
Reviews • OWE & Fringe
This Room
Battersea Arts Centre ⋄ 27th-28th February 2015
By Catherine Love
Getting better.
3 March 2015
Reviews • OWE & Fringe
Harajuku Girls
Finborough Theatre ⋄ 24th February - 21st March 2015
By Catherine Love
Image and fantasy.
2 March 2015
Reviews • West End & Central
Closer
Donmar Warehouse ⋄ 12th February - 4th April 2015
By Catherine Love
Swap, hurt, repeat.
19 February 2015
Features • Essays
Shakespeare Our Contemporary?
By Catherine Love
The legacy of Jan Kott and his impact on Shakespeare in production.
19 February 2015
Features
The Father Factor
By Catherine Love
Nick Makoha on the journey to writing My Father & Other Superheroes.
17 February 2015
Features • Performance
The Coming Storm
By Catherine Love
Catherine Love visits In Between Time, Bristol’s biannual festival of live art and performance.
13 February 2015
Features
The Theatre of the Globe
By Catherine Love
The creators of Gaia Global Circus on staging our emotional response to climate change.
13 February 2015
Features
Finding The Words
By Catherine Love
In the third of our Bruntwood Prize series, Catherine Love discusses the reasons why she writes about theatre.