‘Headlong, hormonal passion’: Anna Winter reviews Kenneth MacMillan’s Romeo and Juliet at Sadler’s Wells.
Anna Winter
Articles by Anna Winter
6 June 2018
Reviews • Dance • Reviews
Review: Swan Lake at the Royal Opera House
May 17th - June 21st
By Anna Winter
A cat among the swans: Liam Scarlett’s interpretation gets three big ticks from Anna Winter.
29 May 2018
Reviews • OWE & Fringe
Review: Life is a Dream at Sadler’s Wells
22 - 26 May 2018
By Anna Winter
A strange sterility: Anna Winter reviews a new work for Rambert by choreographer Kim Brandstrup.
30 April 2018
Reviews • OWE & Fringe
Review: Fourteen Days at Sadler’s Wells
26 - 28 April 2018
By Anna Winter
Hydraulic elegance: Anna Winter reviews Balletboyz and their programme of four works created in fourteen days.
25 April 2018
Reviews • London Theatre • OWE & Fringe • Reviews
Review: Yablochkov Candle at Jacksons Lane
April 19 - April 21
By Anna Winter
Collective sphincters being clenched: Aino Venna and Ilona Jantti’s cabaret circus doesn’t have quite the desired effect.
1 March 2018
Reviews • Dance • Reviews
Review: Gala Flamenca La Chana at Sadler’s Wells
February 21 - February 23
By Anna Winter
Proudly matriarchal: Flamenco legend Antonia Santiago Amador makes a rare, glorious appearance.
15 November 2017
Reviews • West End & Central
Review: The Illustrated ‘Farewell’ / The Wind / Untouchable at the ROH
6-17 November 2017
By Anna Winter
A finely-tuned marriage of musical understanding and feeling: Anna Winter reviews a triple bill of works performed by the Royal Ballet.
24 October 2017
Reviews • West End & Central
Review: Kenneth MacMillan: A National Celebration at the Royal Opera House
19 October 2017
By Anna Winter
Jazzy trots, pom-pom berets and balletic vaudeville swagger: Anna Winter reviews Concerto / Le Baiser de la fee / Elite Syncopations.
20 October 2017
Reviews • OWE & Fringe
Review: Bayadere – The Ninth Life at Sadler’s Wells
16 - 17 October 2017
By Anna Winter
Plenty to unpick: Anna Winter reviews Shobana Jeyasingh’s take on Marius Petipa’s La Bayadere.
9 October 2017
Reviews • OWE & Fringe
Review: Autobiography at Sadler’s Wells
4 - 7 October 2017
By Anna Winter
Data-inspired dance: Anna Winter reviews the latest work from Company Wayne McGregor, inspired by mapping the human genome.
18 July 2017
Reviews • Dance • Reviews
Review: ETM: Double Down at Sadler’s Wells
July 12 - July 15
By Anna Winter
“The tech doesn’t detract from the tap”: Anna Winter reviews the “strange and subtle” joy that is Dorrance Dance’s technologically and technically innovative ETM: Double Down.
3 July 2017
Reviews • OWE & Fringe
Review: Eight Minutes at Sadler’s Wells
27 - 28 June 2017
By Anna Winter
Sputters and spins like a dodgy Sputnik: Anna Winter reviews the new work by Alexander Whitley combining dance with solar physics.
22 June 2017
Reviews • OWE & Fringe
Review: Richard Alston Dance Company at Sadler’s Wells.
16 - 17 June 2017
By Anna Winter
A fragrant physical echo chamber: Anna Winter reviews a mixed bill of works performed by the Richard Alston Dance Company.
13 June 2017
Reviews • OWE & Fringe
Review: Scottish Ballet at Sadler’s Wells
7- 10 June 2017
By Anna Winter
A superorganism at work: Anna Winter reviews Scottish Ballet’s double-bill of works at Sadler’s Wells.
8 June 2017
Reviews • OWE & Fringe
Review: The Boy in the Striped Pyjamas at the Richmond Theatre
6 -7 June 2017
By Anna Winter
When good intentions are not enough: Anna Winter reviews Northern Ballet’s adaptation of John Boyne’s novel.