And we wait: Andrew Edwards is both excruciatingly bored and enormously impressed by Margrét Sara Guðjónsdóttir’s inertia-ridden show.
Andrew Edwards
Articles by Andrew Edwards
6 May 2017
Reviews • Dance • Reviews
Review: material / rearranged / to / be at Dance International Glasgow
April 21 - April 30
By Andrew Edwards
So much room to breathe: Andrew Edwards spends hours at Siobhan Davies Dance’s multi-faceted installation at Tramway.
25 April 2017
Reviews • Dance • Reviews
Review: VOID at Dance International Glasgow
April 21 - April 22
By Andrew Edwards
Other-worldly, historic and contemporary all at once: Andrew Edwards reviews Dance International Glasgow’s urban re-siting of this JG Ballard inspired solo dance show.
8 April 2017
Reviews • Edinburgh
Review: Girl in the Machine at Traverse Theatre, Edinburgh
Traverse Theatre ⋄ 3 - 22 April 2017
By Andrew Edwards
Watching the world come to a standstill: Andrew Edwards reviews Stef Smith’s new play about technology and human connections.
10 March 2017
Reviews • Glasgow
Review: Discourse or Intercourse / Talking & Fucking at Take Me Somewhere, Glasgow
CCA ⋄ 7 March 2017
By Andrew Edwards
“Gently exposes its audience’s attitudes”: Andrew Edwards reviews an immersive performance examining the spaces where people with disabilities are both users and creators of pornography.
2 March 2017
Reviews • Glasgow
Review: #negrophobia at Take Me Somewhere, Glasgow
Tramway ⋄ 26 February 2017
By Andrew Edwards
Extraordinary in its range, excess and incision: Andrew Edwards reviews Jaamil Olawale Kosoko’s “challenging, necessary and entirely relevant” work as part of the Take Me Somewhere festival.
11 February 2017
Reviews • Glasgow
Review: The End of Things at CCA, Glasgow
CCA ⋄ 7 - 8 February 2017
By Andrew Edwards
The qualities of agony, anxiety and desire contained within endings: Andrew Edwards reviews Company of Wolves’ new work in Glasgow.
6 February 2017
Reviews • Edinburgh
Review: A House In Asia at the Traverse Theatre, Edinburgh
Traverse Theatre ⋄ 3 February 2017
By Andrew Edwards
A present tense of terror: Andrew Edwards reviews Agrupación Señor Serrano’s performance at the Manipulate festival 2017.
3 February 2017
Reviews • Edinburgh
Review: Cities at Traverse Theatre, Edinburgh
Traverse Theatre ⋄ 1 February 2017
By Andrew Edwards
Where in the city do you belong? Andrew Edwards reviews the UK premiere of Théâtre De La Pire Espèce’s imaginary urban spaces work.
31 January 2017
Reviews • Edinburgh
Review: Fisk at the Traverse Theatre, Edinburgh
Traverse Theatre ⋄ 28 January 2017
By Andrew Edwards
Boat building: Andrew Edwards reviews Tortoise in a Nutshell’s opening performance at Manipulate 2017.
20 September 2016
Reviews • Glasgow • National • Reviews
Review: MayBe at Tramway
Tramway ⋄ 17th - 18th September 2016
By Andrew Edwards
A love that contorts, twists, fades, appears, shatters: Andrew Edwards concludes the Unlimited festival in Glasgow with a beautiful work by the Marc Brew Company.
20 September 2016
Reviews • Glasgow • National • Reviews
Review: 43 Percent at Tramway
Tramway ⋄ 15th - 16th September 2016
By Andrew Edwards
57% water, and well, some other stuff: Andrew Edwards reviews a performance considering what makes up a human.
19 September 2016
Reviews • Glasgow • National • Reviews
Review: The Way You Look (At Me) Tonight at Tramway
Tramway ⋄ 15th & 16th September 2016
By Andrew Edwards
The weight of somebody’s feet on your knees: Andrew Edwards reviews “a hugely accessible work about access” at the Unlimited festival in Glasgow.
5 July 2016
Reviews • Glasgow • National
Review: FREAGRA | A Blurred Expanse at Tramway
Tramway ⋄ 1st - 2nd July 2016
By Andrew Edwards
A hypermodern microcosm: Andrew Edwards reviews Rob Heaslip Dance in Glasgow (with diagrams).
14 June 2016
Reviews • Glasgow
Review: The End at Tramway
Tramway ⋄ 10th - 11th June 2016
By Andrew Edwards
“Never a moment to exhale, nor to inhale”: Andrew Edwards reviews Jack Webb’s work about movement and modernity at Tramway.