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Alice Saville


Alice Saville

Alice is editor of Exeunt, as well as working as a freelance arts journalist for publications including Time Out, Fest and Auditorium magazine. Follow her on Twitter @Raddington_B


Articles by Alice Saville


Review: Rare Earth Mettle at Royal Court Theatre
22 November 2021
Reviews

Review: Rare Earth Mettle at Royal Court Theatre

By Alice Saville

A puzzle of a play: Alice Saville reviews Al Smith’s controversy-stricken story of greed on a Bolivian salt flat.


Young love and conflict
16 November 2021
Features

Young love and conflict

By Alice Saville

Alice Saville writes about Old Bridge, and a recent spate of plays which set poignant love stories against the backdrop of tumultuous world events.


Theatre’s hiring crisis
5 November 2021
Features

Theatre’s hiring crisis

By Alice Saville

As theatres fight to find and retain backstage workers, Alice Saville talks to people on the frontline of theatre’s hiring crisis.


Review: Beauty Queen of Leenane, at Lyric Hammersmith
15 October 2021
Reviews

Review: Beauty Queen of Leenane, at Lyric Hammersmith

By Alice Saville

Little house on memory lane: Alice Saville revisits Martin McDonagh’s brilliantly horrible play.


Review: Liminal at King’s Head Theatre
14 October 2021
Reviews

Review: Liminal at King’s Head Theatre

By Alice Saville

In-between days: Alice Saville reviews Le Gateau Chocolat’s quiet, reflective directorial debut.


Review: Blue Remembered Hills at GDIF
18 September 2021
Reviews

Review: Blue Remembered Hills at GDIF

By Alice Saville

Lost wildness: Alice Saville reviews De Roovers’ outdoor version of Dennis Potter’s play, performed deep in Thamesmead’s wilderness.


“Please, please, please wear your mask in the theatre”
9 September 2021
Features

“Please, please, please wear your mask in the theatre”

By Alice Saville

An imaginary conversation between two theatregoers at a mostly-maskless West End show.


Edinburgh 2021: An ending, a beginning
30 August 2021
Features

Edinburgh 2021: An ending, a beginning

By Alice Saville

Alice Saville writes about the strangeness and specialness of 2021’s smaller-than-ever fringe festival.


Review: After Life at National Theatre
18 June 2021
Reviews

Review: After Life at National Theatre

By Alice Saville

A cosmic filing cabinet: Alice Saville shifts through her memories of Headlong and National Theatre’s show about what lives on.


The Edinburgh Fringe is in limbo: who’s going to secure its future?
17 June 2021
Features

The Edinburgh Fringe is in limbo: who’s going to secure its future?

By Alice Saville

It’s still unclear what form 2021’s Edinburgh Fringe is going to take. Alice Saville argues that for the festival to survive, deeper conversation and decisive change is needed.


Review: The Ballad of Corona V (The Remix) at The Big House
11 June 2021
Reviews

Review: The Ballad of Corona V (The Remix) at The Big House

By Alice Saville

Down the rabbit hole: Alice Saville reviews a feverish satire of pandemic-era Britain, performed by young people.


Review: Walden at Harold Pinter Theatre
30 May 2021
Reviews

Review: Walden at Harold Pinter Theatre

By Alice Saville

Sheltering in place: Alice Saville reviews Amy Berryman’s log cabin drama, set against a backdrop of global climate crisis.


Review: A Midsummer Night’s Dream at Shakespeare’s Globe
28 May 2021
Reviews

Review: A Midsummer Night’s Dream at Shakespeare’s Globe

By Alice Saville

Joyful scenes: Alice Saville’s illustrated review sketches the magic of Sean Holmes production, as it reopens The Globe.


Review: Ratatouille – the Musical (online)
3 January 2021
Reviews

Review: Ratatouille – the Musical (online)

By Alice Saville

Cooking up a storm: Alice Saville reviews a fan-created musical inspired by Pixar’s tale of a talented rodent chef.


Does online theatre really need to be live?
1 December 2020
Features

Does online theatre really need to be live?

By Alice Saville

‘Liveness’ is central to theatre’s identity. But how can you create it online? And do you need to? Alice Saville explores the tangled set of questions facing 2020’s artists and producers.


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