A child-like and vulnerable creature: B. L. Sherrington reviews Tristan Bernay’s adaptation of Frankenstein.
Joining the circus? Rosemary Waugh runs along to Wilton’s to review a new production of Floyd Collins: The Musical.
“Who the fuck is Thomas Aikenhead?” Catherine Love reviews Told by an Idiot’s latest production.
Tim Bano lets the mask slip at a blindfolded production of Beckett.
The con is on.
A bitter aftertaste.
A frustrating tangle.
A quartet of Victorian comedies.
A superficial rendering of the Jazz Age classic.
Atmospheric account of the life of John Donne.
Sasha Regan’s all-male production transfers.