‘Hipster’, not ‘ipster’: Adam Bruce reviews Headlong’s modern update of Bernard Shaw’s famous work.
A glamorous alternative to panto: Adam Bruce reviews the premiere of Baz Luhrmann’s Strictly Ballroom on stage.
Controlled chaos: Adam Bruce reviews David Wood’s adaptation of Roald Dahl’s The Witches.
What do you most want to see on stage? Holly Williams reviews Chris Goode & Company at Transform ’16
“This is not really a play about football but rather a study of obsession, and an examination of a very Northern type of male friendship.”
“It’s an epic in the truest sense of the word, one that remains faithful to its source material while never feeling remotely like an anachronism.”
Kneehigh fly high.
We need to talk about Anton.
A family affair.
Frothy and feather-light.
On your bike.