Making Steph Houghton proud: Naia Headland-Vanni reviews Sabrina Mahfouz and Hollie McNish’s play about female footballers.
Sensitive, witty and compassionate: Naia Headland-Vanni reviews Documental Theatre’s play about about young fatherhood.
A portrait of two bodies resisting: Maddy Costa reviews Rachael Young and Dwayne Antony’s performance at IBT17.
Storytelling that lasts forever: Rosemary Waugh reviews Theatre Ad Infinitum’s version of The Odyssey.
There you go: Rosemary Waugh reviews The Plasticine Men’s new show about America and Afghanistan.
Ruddy good SPAM fritters! Rosemary Waugh reviews the Wardrobe Ensemble’s wartime comedy.
Another day, another meta-theatrical experience for Eleanor Turney at Mayfest 2016 with Stuart Bowden’s “lovely, if strange, show”.
“Heart-warming mix of sincerity and self-mockery”: Eleanor Turney reviews Jamie Wood’s show involving a bag load of audience participation.
“It doesn’t feel like a call for revolution”: Kate Wyver reviews Write By Number’s production about gentrification.
Anything but ‘gritty’.
Holding onto a dream.