Penmanship: Rosemary Waugh reviews Stephanie Riding’s work about writing to male prisoners on death row.
Loud, modern, sweary and stark: Rosemary Waugh reviews Shakespeare At The Tobacco Factory’s new production of Othello.
Wonderfully and inappropriately gory: Lucian Waugh reviews the return of Sally Cookson’s Cinderella to Bristol.
When ‘feel good’ makes you ‘feel bad’: Rosemary Waugh reviews Broken Biscuits as part of its UK tour.
Telling ghost stories: Kate Wyver reviews a new production of The Weir directed by Rachel O’Riordan.
“I know you’re the boss, sir / But it’s about your lifestyle – you’re a toss-er”: Rosemary Waugh reviews Opera Project’s slightly different take on Mozart’s Don Giovanni.
Ponytails and Nike Air Max 90s: Rosemary Waugh reviews Ambreen Razia’s solo show about a British-Pakistani teenager.
Opera? Football? We’re all there for the same reasons.
Shakespeare at the Tobacco Factory bring a touch of the macabre to this slightly gothic production.
Robert Lloyd Parry brings the dark and stormy night into the Tobacco Factory.
A confused Christmas concoction.
A haven of Now.
The flittering promise of doom.