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Venues: The Vaults


Review: Labels at Vault festival 2017
9 March 2017
Reviews • OWE & Fringe

Review: Labels at Vault festival 2017

The Vaults ⋄ Until 5 March 2017
By Daniel Perks

An honest account of heritage and prejudice: Daniel Perks reviews Joe Sellman-Leava’s one-man show at Vault festival 2017.


Review: Kings at Vault Festival 2017
8 March 2017
Reviews • OWE & Fringe

Review: Kings at Vault Festival 2017

The Vaults ⋄ Until 5 March 2017
By Daniel Perks

Eye opening: Daniel Perks reviews Oli Forsyth’s empathetic look at homelessness at this year’s Vault festival.


Review: The Gran Show at Vault festival 2017
7 March 2017
Reviews • OWE & Fringe

Review: The Gran Show at Vault festival 2017

The Vaults ⋄ 2 March 2017
By Daniel Perks

A tribute to an unsung hero: Daniel Perks reviews Viki Browne’s work in progress show about her own grandmother.


Review: Puppy at Vault festival 2017
7 March 2017
Reviews • OWE & Fringe

Review: Puppy at Vault festival 2017

The Vaults ⋄ 23 Feb and 2 March 2017
By Daniel Perks

Feminist porn and a different type of fairy tale: Daniel Perks reviews a work in progress by Naomi Westerman at the Vault festival.


Review: The Episode at Vault Festival 2017
6 March 2017
Reviews • OWE & Fringe

Review: The Episode at Vault Festival 2017

The Vaults ⋄ Until 5 March 2017
By Daniel Perks

The ugly side of fashion: Daniel Perks reviews Tom Brennan’s look at society’s obsession with reality television.


Review: All of Me at Vault festival 2017
4 March 2017
Reviews • OWE & Fringe

Review: All of Me at Vault festival 2017

The Vaults ⋄ Until 5 March 2017
By Daniel Perks

Daniel Perks reviews Martin Brett’s new work about “the self-proclaimed best travel agent in the business.”


Review: Princess Suffragette at Vault festival 2017
28 February 2017
Reviews • OWE & Fringe

Review: Princess Suffragette at Vault festival 2017

The Vaults ⋄ 22 - 26 February 2017
By B. L. Sherrington

Becoming an activist: B. L. Sherrington reviews a new play based on the true story of the first British-Asian Suffragette.


Review: Claustrophilia at the Vault festival 2017
23 February 2017
Reviews • OWE & Fringe

Review: Claustrophilia at the Vault festival 2017

The Vaults ⋄ 17 - 18 February 2017
By Gillian Greer

A misnomer: Gillian Greer reviews a play that recognises the audience’s curiosity, but denies it.


Review: Testament at the Vaults festival 2017
23 February 2017
Reviews • OWE & Fringe

Review: Testament at the Vaults festival 2017

The Vaults ⋄ 22 - 26 February 2017
By Mary Halton

A mixed bag, but a thoroughly engaging watch: Mary Halton reviews Tristan Bernays’ updating of biblical tales at the Vault festival.


Review: Mars Actually at the Vault Festival
19 February 2017
Reviews • OWE & Fringe

Review: Mars Actually at the Vault Festival

The Vaults ⋄ 15 - 19 February 2017
By Corrie Tan

A wide-eyed discovery of the world: Corrie Tan reviews Superbolt Theatre’s new play about a group of martians.


Review: Droll at Vault festival 2017
17 February 2017
Reviews • OWE & Fringe

Review: Droll at Vault festival 2017

The Vaults ⋄ 15 & 19 February 2017
By Amy Borsuk

Carefully constructed sloppiness, refined nasty humour, and goofy intellectualism: Amy Borsuk gets a messy history lesson from The Owle Schreame.


Review: This Must Be The Place at Vault festival
14 February 2017
Reviews • OWE & Fringe

Review: This Must Be The Place at Vault festival

The Vaults ⋄ 8 - 12 February 2017
By Amelia Forsbrook

Reads like a revisitation of the Choose Life monologue: Amelia Forsbrook reviews Brad Birch and Kenneth Emson’s “cracking collaborative mastery”.


Review: WRETCH at Vault festival
14 February 2017
Reviews • OWE & Fringe

Review: WRETCH at Vault festival

The Vaults ⋄ 8 - 12 February 2017
By Amelia Forsbrook

A spirit and optimism that goes against its drab, desperate, wipe-clean-vinyl-coated setting: Amelia Forsbrook reviews Interval Production’s show about two friends in a women’s hostel.


Review: Astronauts of Hartlepool at Vault festival
13 February 2017
Reviews • OWE & Fringe

Review: Astronauts of Hartlepool at Vault festival

The Vaults ⋄ 8 - 12 February 2017
By Corrie Tan

We are all aliens: Corrie Tan reviews Tim Foley’s “science fiction on a shoestring” play.


Review: Borderland/Calais at Vault festival
13 February 2017
Reviews • OWE & Fringe

Review: Borderland/Calais at Vault festival

The Vaults ⋄ 8 - 12 February 2017
By Fergus Morgan

It’s not enjoyable theatre… but it is important theatre: Fergus Morgan reviews Crew For Calais’ double-bill at Vault festival.


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