Adrenalin-fuelled, beguiling, and vaguely Dionyisian: Rebecca Elderkin is frustrated by 2Faced Dance’s uneven triple-bill.
“Here is a space, a space to make.” Ka Bradley reviews James Cousins’ take on As You Like It.
The thrill of the possible: Ka Bradley reviews Cul de Sac, Lumo Company and Feet Off the Ground Dance on the final night of Resolution 2017.
Relationships and identities formed by relativity or intimacy: Ka Bradley reviews a mixed bill of performances as part of Resolution 2017.
Or, The Whale: Ka Bradley reviews James Wilton Dance’s interpretation of Moby Dick.
There’s trip-hop, breakdancing and more in Tony Adigun’s dance retelling of Oliver Twist.
“The fart in the church of feminist discourse”: Ka Bradley reviews Liz Aggiss’s performance of performativity at The Place.
“Murky moral zones”: Catherine Love reviews Inne Goris’s adaptation of Alessandro Baricco’s novella, as part of LIFT 2016.
Eccentric, ludicrous and entertaining: Rachel Elderkin reviews Protein’s gastronomic new work.
Saying everything while saying nothing.
Queer and politics.
Mamoru Iriguchi triple bill.
A double bill of big ideas.