An invite to share in a culture: Rebecca Latham reviews Xavier de Sousa’s performance at Ovalhouse.
Nothing if not believable: Sophie Baggott reviews Theatre Témoin’s play about homelessness and alcoholism.
Cut up: Maddy Costa’s collage review of Chris Brett Bailey’s new show at Ovalhouse.
Grubby nostalgia: Dave Fargnoli reviews a perfectly teenage commission from the BRIT School’s Bridge Company.
A participatory review.
In bed with Brian Lobel.
Lo-fi but highly saturated.
A reflection on ageing and change.
Busyness is the best cure.