The rest is silence: Rosemary Waugh reviews Robert Icke’s production of Hamlet, starring Andrew Scott.
Heads, you lose: Miriam Gillinson reviews Robert Icke’s new production of Friedrich Schiller’s Mary Stuart.
Domestic drama written on the largest canvas: Fergus Morgan reviews the world premiere of Ella Hickson’s Oil.
White guilt and the compassion industry: Gillian Greer reviews Adam Brace’s new play at the Almeida.
“There’s an unpleasant trend in London theatre at the moment for using sexual violence against women to add a layer of edginess to a text.” Tracey Sinclair reviews Rupert Goold’s Richard III.
Time becomes something elastic, chewy and distorted in Robert Icke’s extraordinary Uncle Vanya.
Like a palimpsest.
Blood, skin, dreams.
The reflected world.
Intelligent, beautiful and finely gauged.
A box of tricks.
Las Vegas glitter.
Shining a light.