Amelia Cavallo completes Greyscale and Exeunt’s imaginary reviews series with “a glimpse of what crip utopia could look like”.

The series continues with Wambui Hardcastle’s spirit-lifting show about love, unfolding in Byker’s grass ampitheatre.

“A play about failing. Sign. Me. Up.” – Naomi Obeng imagines a tentative, hopeful performance in a brand new Loughborough venue.

“It hits me like a thunderbolt – the bright lights, blazing through the window”: Andrew Edwards imagines a visit to Glasgow’s Tron Theatre.

“Images cling like smoke on a sleeve”: Ava Wong Davies pictures a visually striking Edinburgh fringe show, as part of the Imaginary Reviews series.

“I’m watching parallel universes existing on top of each other” – Ben Kulvichit dreams up a hectic performance by two Berlin-based dance artists.

“A dream can have a physical impact on you”: The Imaginary Reviews series continues with James Varney’s architectural intervention.

“The creativity of artists has sparked dozens of projects”: A series commissioned by Greyscale continues with Lyn Gardner’s community-led Kingston takeover.

“From misty New Orleans to misty South Wales”: Greyscale’s Imaginary Reviews series continues with Jafar Iqbal’s Welsh spin on a classic.

“It feels conspiratorial, as illicit as an affair”: A new series commissioned by Greyscale begins with Tracey Sinclair’s imaginative jaunt across Newcastle.