Exeunt
  • Reviews
    • London Theatre
    • National
    • Performance
    • Dance
    • Opera
  • Features
    • Q&A and Interviews
    • Essays
    • Opinion
    • Artist-in-Residence
    • Critical Futures
    • Books
  • Performance
  • New York City
  • Podcasts
  • About Exeunt
    • Staff & Contributors
    • Contact Us

exeunt


magazine
  • Reviews
    • London Theatre
    • National
    • Performance
    • Dance
    • Opera
  • Features
    • Q&A and Interviews
    • Essays
    • Opinion
    • Artist-in-Residence
    • Critical Futures
    • Books
  • Performance
  • New York City
  • Podcasts
  • About Exeunt
    • Staff & Contributors
    • Contact Us

Reviews


Review: Hard to Be Soft; Hope Hunt/ The Ascension into Lazarus
18 October 2019
Reviews • OWE & Fringe

Review: Hard to Be Soft; Hope Hunt/ The Ascension into Lazarus

10th October
By Ka Bradley

The real deal: Ka Bradley writes on three dance pieces by Oona Doherty, exploring masculinity and working-class communities in Northern Ireland.


Review: Isolation at Alphabetti Theatre, Newcastle
17 October 2019
Reviews • National • Newcastle

Review: Isolation at Alphabetti Theatre, Newcastle

15-18 October
By Tracey Sinclair

Disruptive behaviour: Tracey Sinclair writes on Elijah Young’s ‘vinegar-sharp’ piece about teenagers in a daytime detention class.


Review: Out of Order at the Southbank Centre
17 October 2019
Reviews • OWE & Fringe

Review: Out of Order at the Southbank Centre

12-14 October
By Ben Kulvichit

The tears of a clown: Ben Kulvichit writes on the poignant chaos of Forced Entertainment’s new show.


Review: A History of Water in the Middle East at Royal Court
15 October 2019
Reviews • West End & Central

Review: A History of Water in the Middle East at Royal Court

By Alice Saville

Drip, drip, drip: Alice Saville writes on Sabrina Mahfouz’s slow-building deluge of a show.


Review: GRIN at Dance International Glasgow
14 October 2019
Reviews • Glasgow • National

Review: GRIN at Dance International Glasgow

11-12 October
By Andrew Edwards

‘Dances for those who dance them’: Andy Edwards on V/DA’s survey of Afro-Caribbean dance and its radical ‘strategy of refusal’.


Review: Extraordinary Wall [of Silence] at Bristol Old Vic
14 October 2019
Reviews • Bristol • National

Review: Extraordinary Wall [of Silence] at Bristol Old Vic

5-19 October, then touring
By Lilith Wozniak

Resistance and solidarity: Lilith Wonziak reviews Theatre Ad Infinitum’s latest show exploring the challenges and prejudice faced by the Deaf community.


Review: Mephisto [A Rhapsody] at Gate Theatre
10 October 2019
Reviews • OWE & Fringe

Review: Mephisto [A Rhapsody] at Gate Theatre

3-26th October
By Frey Kwa Hawking

‘How far does self-awareness get us?’ Frey Kwa Hawking writes on Samuel Gallet’s metatheatrical skewering of the theatre industry.


Review: Femme Fatale at Omnibus Theatre
10 October 2019
Reviews • OWE & Fringe

Review: Femme Fatale at Omnibus Theatre

8 - 27th October
By Lily Levinson

‘Spit in my face’: Lily Levinson writes on Polly Wiseman’s new play that imagines a meeting between Valerie Solanas and Nico.


Review: Bluebeard at Alphabetti Theatre, Newcastle
10 October 2019
Reviews • National • Newcastle

Review: Bluebeard at Alphabetti Theatre, Newcastle

8-12 October
By Tracey Sinclair

High life: Tracey Sinclair reviews Camasido Club’s ‘glitter-soaked morality tale’ about powerful men and the commodification of youth.


Review: We Dig at Ovalhouse
9 October 2019
Reviews • OWE & Fringe

Review: We Dig at Ovalhouse

By Frey Kwa Hawking

‘We’re already in the dirt’: Frey Kwa Hawking writes on Emma Frankland’s performance demolition of Ovalhouse, made with a company of transfeminine artists.


Review: Blood Wedding at Young Vic
7 October 2019
Reviews • West End & Central

Review: Blood Wedding at Young Vic

By Ava Wong Davies

“Heteronormativity…it’s a curse!”: Ava Wong Davies writes on Marina Carr and Yael Farber’s bloody, binary take on Lorca.


Review: We Anchor in Hope at Bunker Theatre
7 October 2019
Reviews • OWE & Fringe

Review: We Anchor in Hope at Bunker Theatre

25 September - 19 October
By Brendan Macdonald

Last orders: Brendan Macdonald reviews Anna Jordan’s play that transforms the Bunker into a working pub.


Review: ‘Master Harold’… and the Boys at National Theatre
7 October 2019
Reviews • West End & Central

Review: ‘Master Harold’… and the Boys at National Theatre

By J N Benjamin

Men of magnitude: J N Benjamin writes on Athol Fugard’s semi-autobiographical story of prejudice in a failing South African tea room.


Review: Shuck n Jive at Soho Theatre
6 October 2019
Reviews • OWE & Fringe

Review: Shuck n Jive at Soho Theatre

2 - 26 October
By Emily Davis

‘What does it mean to write a play about race?’ Emily Davis writes on Cassiopeia Berkeley-Agyepong and Simone Ibbett-Brown’s knotty, metatheatrical play.


Review: Our Lady of Kibeho at Theatre Royal Stratford East
4 October 2019
Reviews • OWE & Fringe

Review: Our Lady of Kibeho at Theatre Royal Stratford East

25 September - 2 November
By Sally Hales

‘A quiet warning that it’s wise to believe women, even when doing so challenges your worldview’: Sally Hales writes on Katori Hall’s play about the visions of three Rwandan school girls.


  • Page 5 of 439
  • Previous
  • 1
  • 2
  • 3
  • 4
  • 5 (current)
  • 6
  • 7
  • 8
  • 9
  • Next
  • Last
Features
  • Q&A and Interviews
  • Essays
  • Opinion
  • Podcast
Reviews
  • OWE & Fringe
  • West End & Central
  • National
  • NYC
  • Performance

exeunt

  • About Exeunt
  • Staff & Contributors
  • Contact Us
  • Subscribe