Why walk when you can flip?: Lilith Wozniak reviews Wise Children’s second production, a nostalgia-soaked adaptation of Enid Blyton’s beloved children’s books.
Take my hand: Emily Davis writes on Crystal Clear, an accessible but dated romance focusing on a partially-sighted couple.
A dampened fire: Hailey Bachrach writes on Trevor Nunn’s unduly coy staging of a fiercely romantic musical.
Are you sitting comfortably?: Lilith Wozniak reviews Vanessa Redgrave’s collection of personal and political histories from the lead-up to the Second World War.
A matter of life and death: Louise Jones writes on the emotional mechanics of Theatre Re’s lyrical piece of physical theatre.
Invisible cities, right before your eyes: Aniqah Choudhri reviews a multimedia dance-theatre extravaganza based on Italo Calvino’s novel.
‘I’m beautiful and I’m here’: Ben Kulvichit reviews Tinuke Craig’s soulful, stirring production of the musical adaptation of Alice Walker’s famous epistolary novel.
Weather patterns: Rosemary Waugh writes on James Macdonald’s production of Tennessee Williams’ ‘messy, weird’ play.
Frozen Warnings: Alice Saville writes on Maxine Peake’s shiver-inducing performance as Nico.
Fly me to the moon: Tracey Sinclair reviews Scott Turnbull’s offbeat, cheeky solo show about a lonely astronaut.
A tale of two plays: Tracey Sinclair writes about place, sport and culture in a new play about the much loved footballer and manager.
Maggie who?: James Varney writes on character, community and the ghost of Tennessee Williams in American choreographer Trajal Harrell’s new piece for MIF.
All budget, no splendour: Kate Wyver writes on a West End revival of Lloyd Webber’s beloved kids’ musical.
Pig-nosed whimsy: Alice Saville writes a poem in response to Hare’s firmly unpoetic rewrite of Ibsen’s verse drama.
Deciding for yourself: Amy Borsuk writes on Ben Weatherill’s tender, inclusive love story.