Exeunt
  • Reviews
    • London Theatre
    • National
    • Performance
    • Dance
    • Opera
  • Features
    • Q&A and Interviews
    • Essays
    • Opinion
    • Artist-in-Residence
    • Critical Futures
    • Books
  • Performance
  • New York City
  • Podcasts
  • About Exeunt
    • Staff & Contributors
    • Contact Us

exeunt


magazine
  • Reviews
    • London Theatre
    • National
    • Performance
    • Dance
    • Opera
  • Features
    • Q&A and Interviews
    • Essays
    • Opinion
    • Artist-in-Residence
    • Critical Futures
    • Books
  • Performance
  • New York City
  • Podcasts
  • About Exeunt
    • Staff & Contributors
    • Contact Us

Reviews


Review: The Grand Old Dame of York at York Theatre Royal
18 December 2018
Reviews • National • York

Review: The Grand Old Dame of York at York Theatre Royal

13 December - 2 February
By Louise Jones

Hanging up his wig: Louise Jones writes on the 40th and final panto helmed by legendary York dame Berwick Kaler.


Review: The Convert at Young Vic
17 December 2018
Reviews • West End & Central

Review: The Convert at Young Vic

7th December to 26th January
By J N Benjamin

Who runs this house? Danai Gurira’s play is a brilliant exploration of the clashes between cultural traditions and colonial influences.


Review: The Sun Line at Lilian Baylis Studio
16 December 2018
Reviews

Review: The Sun Line at Lilian Baylis Studio

By Rosemary Waugh

‘Fifty shades of beige’: Rosemary Waugh reviews The Meyerhold Theatre Centre’s adaptation of Ivan Vyrypaev’s play about a couple arguing themselves round in circles


Review: One Jewish Boy at the Old Red Lion Theatre
16 December 2018
Reviews

Review: One Jewish Boy at the Old Red Lion Theatre

11th December - 5th January
By Verity Healey

Verity Healey writes on Stephen Laughton’s new play, which explores the impact of an antisemitic attack on a relationship.


Review: Cinderella: A Wicked Mother of a Night Out! at London Welsh Centre
16 December 2018
Reviews

Review: Cinderella: A Wicked Mother of a Night Out! at London Welsh Centre

By Simon Gwynn

Can I lick your face?: Simon Gwynn reviews Not Too Tame’s ‘raucous and gratifying reinvention of panto’.


Review: Släpstick at HOME, Manchester
16 December 2018
Reviews • Manchester • National

Review: Släpstick at HOME, Manchester

By James Varney

“I hope it’s stupid”: James Varney on the skill of being an idiot in a Dutch company’s tribute to the great entertainers.


Review: Violet at The Bunker
14 December 2018
Reviews • London Theatre • OWE & Fringe

Review: Violet at The Bunker

4th - 15th December
By Emily Davis

‘The most millennial millennial’: Emily Davis writes on Bebe Sanders’ one woman show about an intergenerational friendship


Review: That Night Follows Day at Southbank Centre
14 December 2018
Reviews

Review: That Night Follows Day at Southbank Centre

By Ava Wong Davies

“They have the power here”: Ava Wong Davies writes on a Forced Entertainment show that forces us to take kids seriously.


Review: Of Home and Each Other at Broadmead Shopping Centre
11 December 2018
Reviews • Bristol • National

Review: Of Home and Each Other at Broadmead Shopping Centre

7-16 December
By Lilith Wozniak

Someone else’s shoes: Lilith Wozniak writes on the mechanics of empathy in an immersive audio experience in Bristol shopping quarter.


Review: Doctor Faustus at Shakespeare’s Globe
11 December 2018
Reviews • West End & Central

Review: Doctor Faustus at Shakespeare’s Globe

By Brendan Macdonald

Sinful pageantry: Paulette Randall’s production of Marlowe’s play brings out all its wicked humour.


Review: Return to Elm House at Battersea Arts Centre
10 December 2018
Reviews • London Theatre • OWE & Fringe

Review: Return to Elm House at Battersea Arts Centre

1st - 30th December
By Frey Kwa Hawking

A magical immersion in the history of Battersea: Frey Kwa Hawking writes on Sarah Golding’s ‘gentle and very different Christmas show’


Review: Orpheus at Battersea Arts Centre
10 December 2018
Reviews

Review: Orpheus at Battersea Arts Centre

5th - 30th December
By Emily Davis

And all that jazz: Emily Davis reviews Little Bulb’s metatheatrical take on the Orpheus myth, set in a 1930s jazz bar.


Review: The Borrowers at Tobacco Factory Theatres, Bristol
10 December 2018
Reviews • Bristol • National

Review: The Borrowers at Tobacco Factory Theatres, Bristol

29 November - 30 January
By Lilith Wozniak

The little things: Lilith Wozniak writes on the detail and scale of The Borrowers.


Review: The Producers at the Royal Exchange, Manchester
7 December 2018
Reviews • Manchester • National

Review: The Producers at the Royal Exchange, Manchester

30 November 2018 - 26 January 2019
By Catherine Love

‘Shimmer and sparkle’: Catherine Love reviews an unlikely Christmas show which delights as much as it unsettles.


Review: Mouthpiece at the Traverse Theatre, Edinburgh
7 December 2018
Reviews • Edinburgh • National

Review: Mouthpiece at the Traverse Theatre, Edinburgh

1-22 December
By Crystal Bennes

Using a voice: Crystal Bennes writes on the ‘ethical quandary’ of representation in Kieran Hurley’s examination of class and the appropriation of stories.


  • Page 5 of 416
  • Previous
  • 1
  • 2
  • 3
  • 4
  • 5 (current)
  • 6
  • 7
  • 8
  • 9
  • Next
  • Last
Features
  • Q&A and Interviews
  • Essays
  • Opinion
  • Podcast
Reviews
  • OWE & Fringe
  • West End & Central
  • National
  • NYC
  • Performance

exeunt

  • About Exeunt
  • Staff & Contributors
  • Contact Us
  • Subscribe