Mark O’Rowe writes like a frothing, dying horse.
Fringe theatre goes pop.
Ella Hickson’s transatlantic three-hander.
Cheek by Jowl’s Russian ensemble return.
Rob Hayes’ striking new play is re-housed.
Stripping the Bard to his barest bodkins.
Family dysfunction served up by a black British talent.
Love & Madness tackle Dario Fo’s satire.
Intense but truncated circus theatre.
Mild entertainment, strong whiff of exhibitionism.
A double-bill of plays set in a hotel room.
Shared Experience go to the source.
Simon Stephens’ unsettling triptych.
Whispered words, theatre for libraries.
Sasha Regan’s all-male production transfers.