Free skating: Far away from Edinburgh’s city centre, Le Patin Libre’s ice dance performance feels magical.
Holding your breath: Martin Zimmerman’s monologue is a tense exploration of gun violence and trauma.
Intensely emotional: Charley Miles’ debut play is a love story set in a Yorkshire village.
Simon Gwynn reviews Spiral, a revised version of an earlier play that still may be tackling too much.
Eve Allin reviews Meek, a new dystopian drama that isn’t so unfamiliar.
‘A rush of catastrophic thinking moving in slow motion’: Ava Davies on a reality-distorting two-hander.
A sacred leaf: Colombian artist Miguel Hernando Torres Umba performs this exploration of the narcotrafficking industry.
Kieran Hurley and Gary McNair’s play is a “delicate exploration of going from boy to man”.
Millennial despair: Anorak’s debut show is soaked in anxiety.
The child prodigy: Freddie Machin reviews Circa’s show for kids about Mozart.
Eurovision: Freddie Machin reviews Big in Belgium’s musical trip across Europe post-Brexit vote.
The games people play: Freddie Machin on a show about the rhythms and patterns of relationships.
‘The bleak loneliness faced by the outcasts of society’: Nabilah Said reviews this one-man show about an illegal digital market place.
Alice Saville on Adam Lazarus’s controversial (but not controversial enough) narrative of male violence.
Behind our Skin reveals ‘the power of simply telling stories.’