Holding up a mirror: Emily Davis writes on Scottee’s new performance ‘for’ middle class audiences.
“This show does not make sense”: Dave Fargnoli writes on The Outbound Project’s devised exploration of collective psychosis.
Are we really post-feminism? Hannah Greenstreet writes on an irony-heavy exploration of the plight of men.
Scalpel-like precision: Ben Kulvichit writes on Demi Nandhra’s solo exploration of depression.
Unfolding ambition: Ava Wong Davies writes on Burnt Lemon’s densely packed new gig theatre piece.
Sisterly love: Hannah Greenstreet writes that Charley Miles’ sibling narrative rings true.
Young masters: Poltergeist Theatre’s performance is an entertaining rampage through an art gallery.
Giving me fever: Ava Wong Davies writes on a performance that complicates ideas of female mass hysteria.
Do you really see me? Hannah Greenstreet writes on The Queer House’s double bill of autobiographical performances.
Feminist joy: Alice Saville writes on Gina Moxley’s intergenerational exploration of female desire.
Worm in the big apple: Alice Saville writes on Mirenka Cechova’s rapped performance about life as an immigrant in New York city.
Jet set go: Hannah Greenstreet writes on Stef Smith’s narrative of two air hostesses whose friendship is in flux.
A theatrical thought experiment: Ben Kulvichit writes on Milo Rau’s discomfiting meditation on a murder.
True crimes: Nicole Serratore writes on a performance about the Yorkshire Ripper manhunt which aims to centre women.
Mushrooming ideas: Dave Fargnoli writes on a fungi-inspired exploration of climate change.