Down memory lane: Hoipolloi’s last entry in their Loose Change Trilogy features Shôn Dale-Jones’ alter-ego and reconstructed memories of his late father.
Reviews
8 June 2019
Reviews • OWE & Fringe
Review: Wild Card: Stefan Jovanović’s Constellations at Sadler’s Wells
6-8th June
By Ka Bradley
Chaos magic: Ka Bradley writes on Stefan Jovanović’s confusing, genre-blurring queer dance piece.
8 June 2019
Reviews • OWE & Fringe
Review: The Knight of the Burning Pestle at the Barbican
6-8th June
By Rachel Nouchi
Knights at the circus: Rachel Nouchi reviews Cheek by Jowl and Moscow Pushkin Theatre’s take on Francis Beaumont’s early modern meta-comedy.
7 June 2019
Reviews • OWE & Fringe
Review: Wife at Kiln Theatre
By Henry Gleaden
There’s a “thrilling cumulative power” to Samuel Adamson’s Ibsen-inspired study of queer relationships through successive decades.
4 June 2019
Reviews • West End & Central
Review: Rutherford and Son at National Theatre
By Alice Saville
A room without a view: Alice Saville writes on the claustrophobic domesticity of Githa Sowerby’s play.
2 June 2019
Reviews • National • Newcastle
Review: A Thousand Splendid Suns at Northern Stage, Newcastle
30 May - 15 June
By Tracey Sinclair
‘Battered but not broken’: Tracey Sinclair writes on a confronting adaptation of Khaled Hosseini’s novel set in war-torn Kabul.
![Review: The Duchess [of Malfi] at The Lyceum, Edinburgh](http://exeuntmagazine.com/wp-content/uploads/2.-Angus-Miller-as-Ferdinand-and-Kirsty-Stuart-as-The-Duchess.-Photo-credit-Mihaela-Bodlovic-600x353.jpg)
29 May 2019
Reviews • Edinburgh • National
Review: The Duchess [of Malfi] at The Lyceum, Edinburgh
17 May - 8 June, then touring
By Crystal Bennes
Reinterpreting revenge: Crystal Bennes writes on contemporary relevance in Zinnie Harris’s retelling of John Webster’s bloody tragedy.
27 May 2019
Reviews • OWE & Fringe
Review: King Hedley II at Theatre Royal Stratford East
17th May - 15th June 2019
By J N Benjamin
“A snapshot of life”: J N Benjamin writes on August Wilson’s multi-faceted interrogation of Black American life in 1985 Pittsburgh.
26 May 2019
Reviews • West End & Central
Review: Our Town at Regent’s Park Open Air Theatre
16th May - 8th June 2019
By Rosemary Waugh
“One happy, happy community”: Rosemary Waugh writes on the stiflling smalltown mundanities of Thornton Wilder’s play.
24 May 2019
Reviews
Review: Does My Bomb Look Big In This? at Soho Theatre
By Frey Kwa Hawking
Nyla Levy’s play about the radicalisation of a teenage girl captures ‘the weirdly skewed sense of the scale of things you have as a young person’, writes Frey Kwa Hawking.
23 May 2019
Reviews • West End & Central
Review: Anna at National Theatre
11th May - 15th June 2019
By Maddy Costa
“You can’t build a country on wants”: Maddy Costa writes on Ella Hickson’s play, feminism and capitalism.
22 May 2019
Reviews • National • Newcastle
Review: Deeds Not Words at Northern Stage, Newcastle
21 May
By Tracey Sinclair
Stark reminder: Tracey Sinclair writes on Abbot Dance Theatre’s commemoration of the women’s suffrage movement.
21 May 2019
Reviews • Bristol • National
Review: We Can Time Travel at Bristol Old Vic
16-18 May, then touring
By Lilith Wozniak
‘Irresistible forward momentum’: Lilith Wozniak reviews composer and theatre-maker Dom Coyote’s time-hopping storytelling show.
20 May 2019
Reviews • Brighton • National
Review: Séancers at Attenborough Centre for the Creative Arts, Brighton
16-17 May
By Henry Gleaden
Ritual resurrection: Henry Gleaden writes on Nigerian-American performance artist Jaamil Olawale Kosoko’s heady, emotional summoning of the Black dead.
19 May 2019
Reviews • Bristol • National
Review: Louder is Not Always Clearer at Bristol Old Vic
By Ben Kulvichit
Getting the message across: Ben Kulvichit writes on communication and clarity in Mr and Mrs Clark’s show made with deaf performer Jonny Cotsen.