‘We’re already in the dirt’: Frey Kwa Hawking writes on Emma Frankland’s performance demolition of Ovalhouse, made with a company of transfeminine artists.

Last orders: Brendan Macdonald reviews Anna Jordan’s play that transforms the Bunker into a working pub.

‘What does it mean to write a play about race?’ Emily Davis writes on Cassiopeia Berkeley-Agyepong and Simone Ibbett-Brown’s knotty, metatheatrical play.

‘A quiet warning that it’s wise to believe women, even when doing so challenges your worldview’: Sally Hales writes on Katori Hall’s play about the visions of three Rwandan school girls.

‘The twitch of the familiar’: Ka Bradley writes on Boy Blue’s new dance piece exploring grief.