Feeling blue: Rosemary Waugh reviews the premiere of Dennis Kelly’s one-woman play.
Francesca Peschier reviews John O’Donovan’s “envy-inducing” debut play, in all its “butterfly brilliance”.
Magdalene Ghosts: Chris McCormack reviews a new play about unearthing the truth
Love and land: Rosemary Waugh reviews Peter Gill’s painfully realistic picture of a relationship
Never cross a picket line: Peter Kirwan reviews the triumphant regional premiere of Beth Steel’s play about Welbeck Colliery
You don’t get it, but you listen: all good artists are dead’s second show is an incomprehensible rave.
A discombobulatingly epic bit of stage design: Rosemary Waugh reviews the theatre version of Astro Boy
I’ve met these blokes before. Each of them a different type of man: Henry Gleaden responds to Boys at Vaults.
Falling apart: Patrick J. O’Reilly’s physical play is an absurd exploration of mental health.
Inner city pressure: Colin Murphy’s documentary play slides sideways into farce.
Don’t try and tell us it’s his jive dancing: Francesca Peschier reviews Cassie McFarlane & Adrian Hope’s play about Eletha Barrett and Peter Finch
Sexting with James Joyce: Rosemary Waugh reviews My Kind of Michael and Your Sexts Are Shit, as part of NOW18.
Reset and start again: Hailey Bachrach reviews the premiere of Stephanie Jacob’s family comedy
Full of teenage melodrama: Ed Nightingale reviews the shortened version of Alan Ayckbourn’s dystopian epic (and it’s still a disappointment).
The line between real and fake: Nabilah Said reviews Breach Theatre’s new work about preparing for an emergency.