‘Demons in the attic’: Peter Kirwan writes on Kindertransport’s portrayal of the immigrant experience
The waves are rolling in or moving out: Rosemary Waugh reviews Katie Mitchell and Alice Birch’s latest collaboration.
Signs of the times: Annegret Märten and Emilie Oléron Evans give a tutorial on Matthew Parker’s production of Ionesco’s absurdist play
Unafraid and magnificently surreal: Elevator Repair Service reimagines Albee’s classic, as part of Dublin Theatre Festival.
Uncomfortably familiar: Emily Holyoake writes on a revival of Mike Leigh’s play, alongside Safiyya Ingar’s one-woman response.
‘Gold, sinew and chicken fat’: Nabilah Said reviews Annie Siddons’ epic tribute to SE20 and its residents
Magic realism: Lilith Wozniak reviews Wassail Theatre’s pub quiz-set tale of rural life.
Phallocentricity gets a beating in Gina Moxley’s interrogation of psychotherapy, and a betrayed female patient.
Frey Kwa Hawking reviews Forward Arena’s transporting adaptation of Virginia Woolf’s ‘slim, dense, irrepressible novel’
Chris McCormack reviews Annie Ryan’s topical adaptation of Arthur Miller’s American-West novella The Misfits
Desire is everything: Adena Jacobs’ staging of Strauss’s opera is full of ponytail-slick, sensuous, striking images.
Memory loss: ANU and The Abbey Theatre take a lost Seán O’Casey play out for a walk.
Invisible women: Josephine Balfour-Oatts reviews Annie-B Parson’s feminist dance response to Samuel Pepys’ Diary
Marriage and infidelity: Ed Nightingale reviews Jamie Lloyd’s productions of The Lover and The Collection.
The foibles of the ruling classes: Lilith Wozniak reviews a satire based on Queen Victoria and Prince Albert.