Simon Gwynn reviews Abigail Hood’s new play about childhood abuse and running away from home.
“The most fun hour at the fringe”: Lilith Wozniak on why there’s nothing dicey about this epic Dungeons & Dragons game.
The world had been sad since Tuesday: Rosemary Waugh reviews Lara Foot’s new play about bipolar disorder and love.
Lovely in the purest sense of the word: Lauren Mooney reviews Zoe Cooper’s fresh and exciting love story.
Illusions and worship: Chris McCormack reviews an acrobatic take on Fritz Lang’s Metropolis.
Wonderfully offbeat and political: Hannah Greenstreet on Sisters Grimm’s queer-feminist satire of nationalism and colonialism.
Lost amongst the swarm: Ka Bradley reviews an ‘enigmatic and complex’ new work by Wayne McGregor.
The UK debut of Poyo Rojo presents a different version of ‘locker room talk’.
Joy Martin reviews a beautifully constructed homage to Dorothy Parker.
Like bottling a hurricane: a confused staging of the proto-absurdist classic.
Sin, sex and death: Crystal Bennes on a concert-style production of the great opera.
An insight into life as a policeman proves there’s more to the army than the Military Tattoo.
A mainstream crossover hit – or is it? Hannah Greenstreet on Sh!t Theatre’s Dolly Parton-inspired show.
A struggle against systems: James Fritz’s new play is a response to Paul Mason’s Why It’s Kicking Off Everywhere.
Rich, sparkly, deep, intricate: Joy Martin reviews Binge Culture’s interactive headphone adventure around The Meadows.