“Whose eyes are being opened?” Angelo Irving writes on a narrative of systemic racism in Scotland that feels all too familiar.

Missed connections: Alice Saville and Hannah Greenstreet have a phone conversation about Coney’s interactive telephone exchange performance.

Kitchen-sink drama: Ava Wong Davies reviews Forced Entertainment’s domestic, unexpectedly moving retellings of Shakespeare’s plays.

A nihilistic vision of love: Eve Allin reviews Tinuke Craig’s seismic production of Sarah Kane’s visual poem.

Sleeping alone, together: Frey Kwa Hawking writes on Robert Softley Gale’s ‘extremely localised but fiercely expansive’ digital performance moving through his bedtime routine.

Bodies that matter: Ka Bradley writes on digital dance performances from Splayed Festival, which put focus on disabled and queer bodies, exploring how they negotiate the world.

Thinking inside the box; Angelo Irving writes on three films that explore the experiences of marginalised women, built around plays from the Theatre Uncut archive.

Broken nights: Lily Levinson writes on Ava Wong Davies and Mandala Theatre’s ‘unsettling and theatrically imaginative’ digital play, exploring sleep disturbance.