The future is now, maybe. Seth Simons reviews.
Dangerously charged: Catherine Love reviews Footprint Theatre’s performance of Daniel in Manchester.
The National Theatre of Ireland goes self-reflexive: Chris McCormack reviews the homecoming of The Corn Exchange’s play about the founding of the Abbey Theatre.
First love: Holly O’Mahony reviews Stephen Laughton’s play about identity and loss.
Robert Lepage takes it home. Molly Grogan reviews.
A musical for ballet fans: Rosemary Waugh reviews the London premiere of An American In Paris.
Belongs to another place: Catherine Love reviews a stage adaptation of Ted Hughes’ prose poem.
Loren Noveck reviews Julia Jarcho’s fairytale/horror story inspired by archetypal fears and a little Gogol.
Honest and brave: Rachel Elderkin reviews Company Chameleon’s new double bill exploring metal health and bipolar disorder.
The juvenile nature of war: Corrie Tan reviews Yellow Earth Theatre’s production of Tamburlaine.
Deliberately timeless: Francesca Street reviews Matthew Whittet’s “hopeful, nostalgic love letter to adolescence”.
Bleary-eyed, late night conversation of comics, sexuality, and connection in Noah Mease’s Omega Kids. Nicole Serratore reviews.
Southern Spain is miraculously delivered to south London: Anna Winter reviews Flamenco Express in Peckham.
“Here is a space, a space to make.” Ka Bradley reviews James Cousins’ take on As You Like It.
Sumptuous and suitably gothic: John Murphy reviews Selma Dimitrijevic’s adaptation of Mary Shelley.