Bacchanalia and broccoli: Chris McCormack reviews Chris Haring and Michel Blazy’s collaboration, performed as part of the Dublin Dance Festival.
Keeping the despair at bay: Geoff Mills reviews Arthur Miller’s intended “time bomb” of a play.
“One of the hardest things for boys to learn is that a teacher is human…” Fergus Morgan reviews Matt Parvin’s play about the class clown and his former teacher.
Fizzing with wit and invention: Tracey Sinclair reviews The Hiccup Project’s performance at the Brighton Festival.
Issue-driven theatre: Fergus Morgan reviews Charlotte Josephine’s play about internet porn.
“It would take a cynic with a heart of granite to read this as a ‘fuck you’ to anyone” – Rosemary Waugh on Emma Rice’s huge-hearted final Globe show.
Still transcendent: Peter Kirwan revels in Bruce Guthrie’s “energetic” 20th-anniversary revival of this Broadway classic, structural flaws and all.
The best sort of Shakespeare production: Robert Hastie’s debut production as artistic director of Sheffield Theatres gives off all the right signals, says an excited John Murphy.
The universe will deliver: Chris McCormack is mesmerised by Maria Nilsson Waller’s “absorbing” new work at Dublin Dance Festival.
A tapestry of unrelenting sound: Gillian Greer reviews Nigel and Louise’s tribute to Margate.
A showcase of towering technical ability: Anna Winter reviews the Royal Ballet’s latest mixed bill.
Lane Williamson feels spun out by Hamish Linklater’s turntable of acting moments.
Nudity made mundane: Tracey Sinclair reviews a night that’s midway between burlesque show and literary salon.
Jackie Montague reviews Camilla Beeput’s one-woman show as part of the Norfolk and Norwich Festival 2017.
Losing faith: Amy Borsuk reviews a production of Othello with religion as its core.