Please don’t send flowers: Rosemary Waugh reviews a revival of Arthur Kopit’s play about recovering from a stroke.
‘We have to stumble along the way and admit to our mistakes’: Catherine Love reviews Testament’s show about feminism and becoming a father.
Chris McCormack reviews an “excellent and beguiling new play” about living with autism in contemporary Ireland.
Molly Grogan reviews the US premiere of Amir Nizar Zuabi’s 2014 play about the Syrian conflict and humanitarian crisis.
Thornton Wilder’s 1938 play is a “giddily expansive” exploration of community and the passing of time.
Forget heteronormativity: Sara Pascoe’s hilarious reimagined Jane Austen romance breaks all the rules.
“It’s an almost slavish adherence, but it pays off eventually”: Corrie Tan reviews Ellen McDougall’s adaptation of Jose Saramago’s 1997 short story.
I thought you used to teach postmodernism? Geoff Mills provides the second instalment in his Stratford-upon-Avon play/reviews.
Sing it loud: Chris McCormack reviews a new children’s show about revolution as part of the Dublin Fringe 2017.
Somewhere between a performance installation and a tribute to Phoenix Nights: Matt Miller reviews Newcastle’s newest night of performance art.
Curtis Russell reviews “a rare miss” from Sarah Ruhl: “safe and sane and totally harmless.”
This is how we do business: Rosemary Waugh reviews the London premiere of J. T. Rogers’ play about the Oslo Accords.
Beyond bullshit stereotypes: Hannah Greenstreet on Milk Presents’ gender fluid reimagining of the Minotaur myth.
Catherine Love reviews Daniel Bye’s new show about the “complex mix of complicity, complacency, fear and the desire to do something.”
Pop the kettle on: Brendan Macdonald reviews Alice Hamilton’s revival of David Storey’s family drama.