An expression of thanks: choreographer Oona Doherty crafts a religious reflection on her home town.
'This is a show, and we are living through it together': Brendan Macdonald reviews Split Britches's Kubrick-inspired performance.
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Shakespeare's stories: Rosemary Waugh reviews the first productions by the new Globe Ensemble.
Katie Hawthorne evokes the shows, controversies, and nerdy theatre in-jokes of Berlin's annual theatre festival.
In response to Hannah Khalil's blog post, Naomi Joseph explores how theatremakers manage multiple careers.
A new zine that's all about sex, nudity and bodies in theatre, available exclusively to members of our Friends Scheme.
Following the announcement that Lyn Gardner's position as Guardian theatre critic is being cut, Andy Field writes on why her role is too important to be lost.
'The air of stifling, claustrophobic routine': David Pollock reviews Martin McCormick's absurdist play
Alice Saville considers questions of reputation and legacy in an industry that’s in love with its own history.
Andy Field writes on how encounters with the natural world inspired a new night-time performance, on as part of LIFT Festival 2018.
In Shakespeare's birthday week, Hailey Bachrach argues that there's nothing dull about recent reinventions of his work.
A desperate need for dialogue: Katherina Radeva writes on why she's organising a day of ideas-sharing around questions of otherness and identity.