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Reviews

Review: Girls & Boys at the Royal Court

Feeling blue: Rosemary Waugh reviews the premiere of Dennis Kelly's one-woman play.

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Features

Black Girl Magic

Ahead of her show 'The Year of the Rooster Monk' at Vault Festival, Giselle LeBleu writes on resurrecting pre-digital ghosts and channeling dark forces.

15 February


Reviews

Review: If We Got Some More Cocaine I Could Show You How I Love You at Vault Festival 2018

Francesca Peschier reviews John O'Donovan's "envy-inducing" debut play, in all its "butterfly brilliance".

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Reviews

Review: We Don’t Know What’s Buried Here at the Civic Theatre, Dublin

Magdalene Ghosts: Chris McCormack reviews a new play about unearthing the truth

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Features

Pivot: The Audience Club

In the last of three articles, Maddy Costa explores how The Place involved dance fans in developing new work, and their conflicting expectations of the process.

14 February

Reviews

Review: The York Realist at the Donmar Warehouse

Love and land: Rosemary Waugh reviews Peter Gill's painfully realistic picture of a relationship

14 February

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Features
Alice Saville

LGBT History Month – a chance for theatre to reinvent its queer past

Alice Saville writes on how theatre offers a way to put the past in dialogue with the present.

Maddy Costa

Pivot Dance: Matchmaking Choreographers and Producers

In the second of a trio of articles, Maddy Costa explores the difficulty of seeding new relationships between choreographers and producers.

Adrian Jackson

The Other Side of Outreach

The artistic director of Cardboard Citizens talks theatre and oppression, in response to Nathan Lucky Wood's piece 'The Trouble With Outreach'.

Maddy Costa

Pivot: Dance Development at The Place

In the first of a trio of articles, Maddy Costa explores The Place's three-pronged artist, producer, and audience development scheme.

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Reviews

Review: Wonderland at Nottingham Playhouse

Never cross a picket line: Peter Kirwan reviews the triumphant regional premiere of Beth Steel's play about Welbeck Colliery

14 February

Reviews

Review: JOY at VAULT Festival

You don't get it, but you listen: all good artists are dead's second show is an incomprehensible rave.

13 February

Reviews

Review: Pluto at the Barbican

A discombobulatingly epic bit of stage design: Rosemary Waugh reviews the theatre version of Astro Boy

13 February

Reviews

Review: Boys at Vault Festival 2018

I’ve met these blokes before. Each of them a different type of man: Henry Gleaden responds to Boys at Vaults.

13 February


More Features

29 January
Alice Saville

Why We Need Vault Festival

As Waterloo's ever-growing arts festival returns for 2018, Alice Saville asks its co-director Mat Burt what it offers young companies.


25 January
Francesca Peschier

Beyond Nervous Laughter

Four Vault Festival shows are combining belly laughs with explorations of life with mental health conditions like anxiety and depression. Francesca Peschier chats to some of their creators.


24 January
Zain Dada

Javaad Alipoor: “Theatres are chasing the same audiences they’ve had forever”

As 'The Believers Are But Brothers' opens at Bush Theatre, its creator talks radicalisation, Prevent and making work outside London.


23 January
David Byrne

Farewell to The Bike Shed Theatre

Today, Exeter's Bike Shed Theatre announces that it will close at the end of March. Here's David Byrne on what makes the venue so magical.


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