Reviews

Edinburgh Review: Off-Kilter at Dance Base

Everything is not going to plan: Crystal Bennes reviews a piece of visual theatre about disrupting routines.

Published Today

Features

Exeunt Recommends: Edinburgh Fringe, Week Two

At the Edinburgh fringe's midpoint, here are the shows that Exeunt's writers think you should see.

Published Yesterday


Reviews

Edinburgh Review: Giselle at Dance Base

Zombie dancing: Rosemary Waugh reviews Ballet Ireland's new version of the classic ballet

Published Today

Reviews

Edinburgh Review: Power Play: The Empty Chair at Pleasance Pop-Up

Can we talk about #metoo plays? Hannah Greenstreet reviews a play exploring sexual abuse in Hollywood.

Published Today

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Reviews

Edinburgh Review: The Gruffalo, The Witch and the Warthog with Julia Donaldson at Underbelly

Story-time: Duška Radosavljević reviews a show by the ever-popular children's author Julia Donaldson.

Published Today

Reviews

Edinburgh Review: Chase Scenes at Summerhall

Keep on running: Tom Moyser reviews a show about 'The mechanics of being chased".

Published Yesterday

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Features
Alice Saville

Exeunt Recommends: Edinburgh fringe, week one

The fringe has begun, and Exeunt's writers have a few thoughts on what you should go and see.

Eve Allin

Power Play: Addressing Gender Inequality at the Fringe

Taking over an Edinburgh flat, Power Play are making space for female-led theatre at the fringe. Here's Eve Allin on her visit.

Fergus Morgan

A Dead-Eyed Cynic’s View of the Edinburgh Fringe

Another festival of failure is upon us: Fergus Morgan is here to get you in the mood for the Edinburgh Fringe with a healthy dose of misery.

Amber Massie-Blomfield

The power of theatre buildings

The impressive architecture of the UK's theatres is often a legacy of stark class divides. Here, Amber Massie-Blomfield writes on the buildings that really are for everyone.

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Reviews

Edinburgh Review: DollyWould at Summerhall

'A superbly constructed essay on fandom': Duška Radosavljević reviews Sh!t Theatre's love letter to Dolly Parton.

Published Yesterday

Reviews

Review: When the Boat Comes In at South Shields Customs House

Little but hard choices: Tracey Sinclair reviews a stage adaptation of James Mitchell's TV series.

Published Yesterday

Reviews

Edinburgh Review: See-Through at Summerhall

The contemporary confessional: Hannah Greenstreet reviews Claire Gaydon's Youtuber show.

Published Yesterday

Reviews

Edinburgh fringe review: The Chore of Enchantment at Underbelly

Sleight of hand: Vincent Gambini's magic show is an exploration of political deception.

Published Yesterday


More Features

30 July
Andy Field

The Festival That Never Sleeps

Andy Field writes on sleep-deprivation at the Edinburgh fringe, and the challenges of making new spaces in a world where time is commodified.


26 July
Rosie MacPherson

Latitude 2018: Utopia

New Bryony Kimmings, Middle Child, Theatre Ad Infinitum and more: Rose McPherson explores the world-building joys of this year's festival.


24 July
William Drew

Ontroerend Goed: “If art isn’t challenging, why bother?”

Ontroerend Goed artistic director Alexander Devriendt talks interactive theatre, gaming, and the death of capitalism.


23 July
Exeunt Staff

The Nanette Feelings Thread

Exeunt's writers process their thoughts on Hannah Gadsby's fiercely emotive farewell to comedy, currently on Netflix.


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