"This is a play about race matters by a writer for whom race matters not" - Desirée Baptiste unpicks the racist and ableist themes of Martin McDonagh's play.
'Meeting after meeting, difference after difference': Andy Edwards reflects on a triple bill of Estonian contemporary performance in Glasgow.
Courage Everywhere, the NT's celebration of 100 years since (partial) womens' suffrage, begins with a powerful new play from Graeae.
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Gift shop Frida Kahlo: Lilith Wozniak writes on Deborah Antoinette and China Blue Fish's sketch show, and asks what we want from feminist theatre.
Rosemary Waugh chats to Jess Latowicki, one half of Made in China, about how their new show Super Duper Close Up draws inspiration from anxiety, feminism - and skincare.
A new British Council project will support UK bloggers to discover and write about international work.
We dreamed a dream: Exeunt's writers imagine a takeover of London's creakiest, most storied theatres.
Ava Wong Davies
A mushrooming community: Ava Wong Davies writes on the intimacy and kindness of the works at this year's instalment of performance art fest SPILL.
'I hope for better stories than these': Tracey Sinclair writes on the prevalence of violence against women as plot device in her review of She Production's devised play.
Thomas John Bacon
Earlier this year, Croydon's biannual performance art festival became the centre of a firestorm of right-wing media hostility. Here, its artistic director Thomas John Bacon writes on what sparked the flames.
Newcastle-based theatre company The Six Twenty want your stories of music fandom.
Following the announcement that the NT's Travelex sponsorship is coming to an end, Fergus Morgan writes on the trouble with cheap ticket schemes.
Dr Kirsty Sedgman
Audience experience researcher Dr Kirsty Sedgman writes on why ideas of 'quality' and 'value' in theatre are all but impossible to measure.