Can we talk about #metoo plays? Hannah Greenstreet reviews a play exploring sexual abuse in Hollywood.
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Story-time: Duška Radosavljević reviews a show by the ever-popular children's author Julia Donaldson.
The fringe has begun, and Exeunt's writers have a few thoughts on what you should go and see.
Taking over an Edinburgh flat, Power Play are making space for female-led theatre at the fringe. Here's Eve Allin on her visit.
Another festival of failure is upon us: Fergus Morgan is here to get you in the mood for the Edinburgh Fringe with a healthy dose of misery.
The impressive architecture of the UK's theatres is often a legacy of stark class divides. Here, Amber Massie-Blomfield writes on the buildings that really are for everyone.
Little but hard choices: Tracey Sinclair reviews a stage adaptation of James Mitchell's TV series.
Sleight of hand: Vincent Gambini's magic show is an exploration of political deception.
Andy Field writes on sleep-deprivation at the Edinburgh fringe, and the challenges of making new spaces in a world where time is commodified.
New Bryony Kimmings, Middle Child, Theatre Ad Infinitum and more: Rose McPherson explores the world-building joys of this year's festival.
Ontroerend Goed artistic director Alexander Devriendt talks interactive theatre, gaming, and the death of capitalism.
Exeunt's writers process their thoughts on Hannah Gadsby's fiercely emotive farewell to comedy, currently on Netflix.