Salacious bombast: David Leddy's obscene homage to Jean Genet might require a reading list.
Delicate, provocative, gleeful: the UK's largest dance festival for emerging artists offers up another stimulating triple-bill.
Ridiculous, playful, brilliantly strange: Resolution 2018 offers up another varied trio of dances.
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‘This is not the end’: Hannah Greenstreet reviews an attempt at starting a feminist revolution inside a theatre.
Ahead of her show 'The Year of the Rooster Monk' at Vault Festival, Giselle LeBleu writes on resurrecting pre-digital ghosts and channeling dark forces.
In the last of three articles, Maddy Costa explores how The Place involved dance fans in developing new work, and their conflicting expectations of the process.
Alice Saville writes on how theatre offers a way to put the past in dialogue with the present.
In the second of a trio of articles, Maddy Costa explores the difficulty of seeding new relationships between choreographers and producers.
Francesca Peschier reviews John O'Donovan's "envy-inducing" debut play, in all its "butterfly brilliance".
The artistic director of Cardboard Citizens talks theatre and oppression, in response to Nathan Lucky Wood's piece 'The Trouble With Outreach'.
In the first of a trio of articles, Maddy Costa explores The Place's three-pronged artist, producer, and audience development scheme.
As Waterloo's ever-growing arts festival returns for 2018, Alice Saville asks its co-director Mat Burt what it offers young companies.
Four Vault Festival shows are combining belly laughs with explorations of life with mental health conditions like anxiety and depression. Francesca Peschier chats to some of their creators.