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Reviews

Review: The Last Bordello at the Tron Theatre, Glasgow

Salacious bombast: David Leddy's obscene homage to Jean Genet might require a reading list.

Published Yesterday

Features

Richard III Redux

Kaite O'Reilly writes on cripping up, and how her new production offers a witty, feminist, alternative disability perspective on Shakespeare's history play.

Published Today


Reviews

Review: Hand Towards, Nelum and Lots of Varied Expectations at Resolution 2018

Delicate, provocative, gleeful: the UK's largest dance festival for emerging artists offers up another stimulating triple-bill.

Published Yesterday

Reviews

Review: Drowning, Journeys of Internal Migration, and HILT at Resolution 2018

Ridiculous, playful, brilliantly strange: Resolution 2018 offers up another varied trio of dances.

Published Yesterday

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Features

A New Era for Women in Circus

Poppy Burton-Morgan explores how female-led circus companies are dismantling and reimagining gender on stage.

Published Yesterday

Reviews

Review: I Have a Mouth and I Will Scream at Vault Festival 2018

‘This is not the end’: Hannah Greenstreet reviews an attempt at starting a feminist revolution inside a theatre.

Published Yesterday

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Features
Giselle LeBleu

Black Girl Magic

Ahead of her show 'The Year of the Rooster Monk' at Vault Festival, Giselle LeBleu writes on resurrecting pre-digital ghosts and channeling dark forces.

Maddy Costa

Pivot: The Audience Club

In the last of three articles, Maddy Costa explores how The Place involved dance fans in developing new work, and their conflicting expectations of the process.

Alice Saville

LGBT History Month – a chance for theatre to reinvent its queer past

Alice Saville writes on how theatre offers a way to put the past in dialogue with the present.

Maddy Costa

Pivot Dance: Matchmaking Choreographers and Producers

In the second of a trio of articles, Maddy Costa explores the difficulty of seeding new relationships between choreographers and producers.

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Reviews

Review: The B*easts at Bush Theatre 

The myth of childhood innocence: Brendan Macdonald reviews Monica Dolan's monologue about a mother giving her child what she thinks she wants.

Published Yesterday

Reviews

Review: Angry at Southwark Playhouse

Remains thoroughly caffeinated: Simon Gwynn reviews Philip Ridley's new series of six monologues.

Published Yesterday

Reviews

Review: Girls & Boys at the Royal Court

Feeling blue: Rosemary Waugh reviews the premiere of Dennis Kelly's one-woman play.

17 February

Reviews

Review: If We Got Some More Cocaine I Could Show You How I Love You at Vault Festival 2018

Francesca Peschier reviews John O'Donovan's "envy-inducing" debut play, in all its "butterfly brilliance".

17 February


More Features

5 February
Adrian Jackson

The Other Side of Outreach

The artistic director of Cardboard Citizens talks theatre and oppression, in response to Nathan Lucky Wood's piece 'The Trouble With Outreach'.


31 January
Maddy Costa

Pivot: Dance Development at The Place

In the first of a trio of articles, Maddy Costa explores The Place's three-pronged artist, producer, and audience development scheme.


29 January
Alice Saville

Why We Need Vault Festival

As Waterloo's ever-growing arts festival returns for 2018, Alice Saville asks its co-director Mat Burt what it offers young companies.


25 January
Francesca Peschier

Beyond Nervous Laughter

Four Vault Festival shows are combining belly laughs with explorations of life with mental health conditions like anxiety and depression. Francesca Peschier chats to some of their creators.


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