An essay on the Twitter Fiction Festival in 40 tweets
So Twitter fiction. Is this a literary revolution?
Leda in erotic antics with sensuous swan! ‘Feathers turn me on!’ preens satisfied Queen! Rainbow eggs due to hatch tomorrow #twitterfiction
Claims are big: Professor at @michiganstateu says, “tweeting can be thought of as a new literary practice.”
But this is not new; tweeters have published erotic fiction for years & 2009′s Twitterature boiled 80 works of literature down to tweets
The novelist @john_wray has been doing this for years…
“@john_wray I’m going to be tweeting for a while about the misadventures of ‘Citizen’, a character who was cut from my novel, Lowboy”
It’s very funny. A suspense filled riff on the things we tweet about & the style in which we do it.
@laurenbeukes also makes fragmentation work for her: #LitMash takes incongrous fragments of general suggestions & reworks them into stories
@tejucole‘s series of faits divers or simple tweets of fate are an old French journalist trick; headlines telling the whole story.
RT @tejucole - “Wives are flammable, a police inspector, Wasiu, of Okokomaiko, has found.”
Picasso used scraps of faits divers in cubist collages. As social media is curated in @storify does it become a kind of electronic cubism?
Essentially a blank page where any text or format can be uploaded, @storify makes a bricolage of social media.
On it the twitter fiction works, but when encountered on twitter itself it is frustrating; interruptions and RTs spoil the flow
Yet there is something very modernist about it- interruptions incorporated into the fiction; remaining true to the fragmentation of reality
For #WLRNStory Junot Diaz tweeted line 1: ‘The dogs hadn’t barked all week.’ Someone else added the next line. The story grew from there.
This is an old parlour/drinking game isn’t it? The whole thing in a nutshell/tweet….
Old game: new medium. Same impulse but channelled through a new tool/toy?
The question is: Will the form have the power to shape the function and result?
OMG! Will the condensed form that twitter demands create a radical new way of using language? WTF? LOL!
Will the fixed form inspire the kind of creativity Oulipian restraints do in experimental poetry?
Reading and writing on the web is increasingly byte size. Flash fiction as a responses 2 the constraints of digitized reading
Is the twitterisation of fiction the internet re-organising our brains? Nicholas Carr might think so.. http://bigthink.com/ideas/26561
Or is this just serialization a la Dickens- but shorter to keep down with our shrinking attention span; more headline, less article?
With Arab Spring we were quick 2 cry revolution in the wrong direction. Did putting ancient forces through new media really alter them?
Politics democratised, the unvoiced given voice- yet did this not also occur in France 1789 via printing press, posters & word of mouth?
The eternal cycle of revolution and reaction- dialectical push and pull; alongside electronic storytelling- a resurgence of its opposite:
As our narratives become more digital, more fragmented and isolated, events featuring oral and live story telling are on the rise:
Just 4 starters Are you sitting comfortably (http://bit.ly/a6wQYE) for…
Perhaps, like the Greek myths tweets, its just a case of same story; different style. Lucy Coats on her #twitterfiction:
“I’ve condensed them down into a series of short, punchy tabloid headlines. Human (/godly) behaviour doesn’t change much over the millennia”
And will the twitter essay forever change the face of criticism? Answers on a postcard.
- Show Bird. Writer and performer Caroline Smith on developing her show Birdwatchers’ Wives and creating alter egos.
- The Making of the Mask. Designer Isa Shaw-Abulafia explains how she created the face of Pomona.
- Performing Anxiety. Laura Jane Dean & Tim Clare on honesty, adrenaline, anxiety and theatre as self-medication.