Natasha Tripney writes on the time-bending, memory-layering properties of returning to Edinburgh for the festival fringe, year after year.
As the fringe rumbles to a close, here are the shows that Exeunt’s writers wouldn’t want you to forget.
Your number’s up: take a spin on Ben Kulvichit and Lilith Wozniak’s game-form write-up of the live art festival of chance.
Duška Radosavljević writes a childs’ eye sketch of some of the kids’ shows of the 2018 Edinburgh fringe.
Playwright Tom Wells chats to Frey Kwa Hawking about gay representation in theatre, making work outside London, and the power of panto.
At the Edinburgh fringe’s midpoint, here are the shows that Exeunt’s writers think you should see.
The fringe has begun, and Exeunt’s writers have a few thoughts on what you should go and see.
Taking over an Edinburgh flat, Power Play are making space for female-led theatre at the fringe. Here’s Eve Allin on her visit.
Another festival of failure is upon us: Fergus Morgan is here to get you in the mood for the Edinburgh Fringe with a healthy dose of misery.
The impressive architecture of the UK’s theatres is often a legacy of stark class divides. Here, Amber Massie-Blomfield writes on the buildings that really are for everyone.
Andy Field writes on sleep-deprivation at the Edinburgh fringe, and the challenges of making new spaces in a world where time is commodified.
New Bryony Kimmings, Middle Child, Theatre Ad Infinitum and more: Rose McPherson explores the world-building joys of this year’s festival.
Ontroerend Goed artistic director Alexander Devriendt talks interactive theatre, gaming, and the death of capitalism.
Exeunt’s writers process their thoughts on Hannah Gadsby’s fiercely emotive farewell to comedy, currently on Netflix.
“Swanky senior citizens, elegant elders & glamorous golden girls” are all invited to daytime cabaret The Posh Club. Here’s Freddie Machin on why it’s so vital.