Jason Crouch walks you through some of the potential issues and shining opportunities involved in streaming performances.

After cis actors were cast in trans roles in ‘Breakfast on Pluto’ and ‘Bring it On’, Robin Craig asks why theatres keep failing queer audiences.

Hailey Bachrach spots a trend: female characters breaking the fourth wall to rail against their limited options.

The Claim is a Kafka-esque dive into the UK’s asylum system. Here, its creators talk bureaucracy, funding, and making political theatre without the capital ‘P’.

Tasmania’s triumphantly weird arts festival lures in audiences with magic, sweat and glitter.

As plans are taking shape for 2022’s £120m post-Brexit arts extravaganza, here are some more outward-looking ways to mark Britain’s exit from the EU.

Josh Coates is curating performance nights that bring fandom offline and onto the stage. Here’s why.

Leaves you feeling Peaky: Natasha Tripney dissects Peaky Blinders creator Steven Knight’s misjudged Dickens adaptation for the BBC.