In this interview with Ben Kulvichit, the writer-director duo discuss their show Wild Swimming, symbiosis, and why emerging artists need to make mistakes.
Ravi Ghosh writes on Rob Icke’s dive into minority identity, and why audiences need to be pushed towards self-examination, not self-congratulation.
Theatre director Adam Lenson writes on the Falsettos casting controversy, and why the Jewish community needs to be involved in telling its own stories.
Francesca Peschier writes on the shows bringing ecstatic moments and authentic queer people of colour’s experiences to the Edinburgh fringe.
A dialogue review of Edinburgh fringe’s sights, shows and smells by Joakim (aged five) and Katarina (aged three-and-a-half).
Exeunt is proudly flying the flag for longform criticism at the fringe. Too busy to read it all? Here’s a handy digest of the shows our writers love.
Emerging directors leap through ever-shifting hoops for a chance to work at the UK’s biggest theatres. Holly Williams asks: is the system working?
Alice Saville sorts the (pink) sheep from the GOATs in her write-up of 2019’s frenetic Latitude festival.
Spreadsheets at the ready: Exeunt’s fringe recommendations are here, thoughtfully themed for your reading pleasure.
Exeunt’s writers have some unashamedly petty bones to pick with theatre world’s biggest hits, past and present.
Alice Saville discovers a fringe arts explosion at Iceland’s new festival of grassroots performance.
Lily Levinson writes on the seismic generational divides in Romania’s theatre scene, and the embattled political companies that are fighting for change.
Milli Bhatia and Jasmine Lee-Jones discuss ‘seven methods of killing kylie jenner’, confronting power structures, and bringing black Twitter to the stage.
Emma Frankland writes on her new show Hearty, and the shifting cycles which underpin attitudes to trans identity.
Prices for accommodation at the Edinburgh Fringe are up 35% this year. Here, independent producer Jo Mackie asks what it will take to reform the fringe.