Francesca Peschier explores how regional and working class accents are both underused and misused by theatre.
Features
28 March 2018
Features • Festivals
Alchymy Festival
By Hannah Greenstreet
Hannah Greenstreet chats to Ellie Keel, producer of Alchymy – a unique Oxford-based festival that’s all about developing new theatre.
26 March 2018
Features
Exeunt’s (Mostly) Irrational Theatre Dislikes
By Exeunt Staff
Exeunt’s writers get together for a cathartic collective airing of their long-harboured, but deeply petty theatre-related gripes.
20 March 2018
Features • Essays
Dramaturgy Under Capitalism
By Frey Kwa Hawking
Frey Kwa Hawking explores the slippery territory of defining a dramaturg’s role, and forging a practice in a world that requires both productions and people to be marketable.
19 March 2018
Features
Exeunt Recommends (Mar 19, 2018)
By Exeunt Staff
It’s snowing. Again. But here are some shows our writers think it’s well worth venturing outside for.
14 March 2018
Features
The Party Somewhere Else
By Emily Holyoake
A collective of 12 women are challenging Nottingham’s art scene to change, with a brand new festival of female-led work.
6 March 2018
Features
Boycotting Work by Unpaid Creatives Isn’t the Answer
By Alice Saville
Some thoughts on work and exploitation, following Mark Shenton’s statement that he’ll no longer go to shows made by unpaid creatives.
5 March 2018
Features • Q&A and Interviews
Ultimate Dancer: “It’s liberating to let go of the limitations of being human”
By Diana Damian Martin
Performance artist Ultimate Dancer makes work that mingles choreography and spirituality. Here, she talks healing rituals, movement, and the power of darkness.
28 February 2018
Features
Being an Artist, post-Brexit
By Alice Saville
“Brexit has sent a subconscious ‘exodus call’.” – European company Little Soldier talk leaving, uncertainty and the impact of the ‘yes’ vote.
27 February 2018
Features • Q&A and Interviews
Bryony Lavery: “Anger is one of the things that fuels me wonderfully.”
By Alice Saville
The author of ‘Frozen’ and a new adaptation of ‘Brighton Rock’ talks female anger, reimagining romantic fiction, and the banality of murder.
26 February 2018
Features • Q&A and Interviews
Lindsay Posner: “I either had the choice of casting stars or not doing the play”
By Fergus Morgan
Fergus Morgan interviews the enigmatic West End director about star casting, commercial theatre, and the post-Weinstein landscape.
20 February 2018
Features • Essays
Richard III Redux
By Kaite O Reilly
Kaite O’Reilly writes on cripping up, and how her new production offers a witty, feminist, alternative disability perspective on Shakespeare’s history play.
19 February 2018
Features • Essays
A New Era for Women in Circus
By Poppy Burton-Morgan
Poppy Burton-Morgan explores how female-led circus companies are dismantling and reimagining gender on stage.
15 February 2018
Features • Essays
Black Girl Magic
By Giselle LeBleu
Ahead of her show ‘The Year of the Rooster Monk’ at Vault Festival, Giselle LeBleu writes on resurrecting pre-digital ghosts and channeling dark forces.
14 February 2018
Features
Pivot: The Audience Club
By Maddy Costa
In the last of three articles, Maddy Costa explores how The Place involved dance fans in developing new work, and their conflicting expectations of the process.