It’s the spendiest time of the year, so here are some London theatre shows that are perfect for family trips or pals’ nights out – and under £15.
Slow criticism: Diana Damian and Anette Therese Pettersen consider a meditative seaside performance created by Norwegian artist Ingri Fiksdal.
Three EU migrants discuss their experiences at a ‘non-Brexit-fearing festival’ of work from Europe.
As $elfie$ comes to Hackney Showroom, Malik Nashad Sharpe explores the Black and Queer contexts behind their performance.
‘Wild Bore’ is a furious, filthy take-down of theatre reviewing at its worst. But how fair is it on critics? Exeunt’s writers discuss.
As the National Theatre struggles to find a hit to fill its biggest stage, Exeunt’s writers suggest some ideas of their own.
Following reports of abusive behaviour at Courtyard Theatre, Alice Saville explores how conditions in fringe theatres allow bad practice to go unchecked.
As Dublin’s Gate Theatre becomes the centre of allegations of sexual harassment, Chris McCormack explores the history of womens’ public testimony in Irish theatre.
Didn’t get tickets to Punchdrunk’s latest? Fear not, here’s a very detailed rundown of what you missed (and what you didn’t).
Ben Kulchivit discovers the grotesque, the perverse, and the transcendental at Birmingham’s annual festival of live art.
Naima Khan explores the issues raised by Act For Change’s debate around theatre criticism and diversity, hosted by the NT
Escaping definition: Amelia Forsbrook rounds-up three female-led shows at Dance Umbrella 2017.
As the Weinstein revelations spark a bout of theatre-world soul-searching, Alice Saville writes on why men need to take responsibility for rooting out sexual harassment.
Lauren Mooney explores the fraught business of booking a tour, and the glaring power imbalance between venues and freelance artists.
Boom Bat Gesture’s ‘Do Your Worst’ series asks artists to create deliberate flops. Nicole Serratore asks them about failure, DIY theatre, and Spiderman.