Alice Saville writes on how ideas of expertise are used to define who gets to have an opinion on theatre.
Holly Williams encounters the “stories of a fledgling nation” at an intensely political festival of theatre from across Kosovo.
Queer renaissance musicals, affectionate plants and Bryony Kimmings on tour; here are Exeunt’s UK-wide tips on what to see this November.
In this roundtable, members of Migrants in Culture discuss the impact of the Hostile Environment, and why it’s time for the arts sector to act.
A lovesong in the dark: Alice Saville writes on the mystical magic of Norway’s biannual performance festival.
Figs in Wigs’ Rachel Porter talks about the underacknowledged awkwardness of selling theatre – especially when it’s on the weirder end of the spectrum.
Ahead of CPT’s Handle With Care Festival, Kaya Stanley-Money writes on how venues are approaching the heated conversation around trigger warnings.
Dive into the unknown: Ben Kulvichit live blogs his journey through 2019’s Fierce Festival.
Sorry not sorry: Alice Saville writes on a spate of female playwrights who are breaking form and pulling back the curtain on gendered power structures.
“I am considered a debate topic, and I have learned not to flinch”: Jess Rahman-González and Oli Isaac discuss the emotional impact of the backlash against the Old Vic’s trans inclusive toilets.
A guide to October’s chaotic flurry of performance, dance, and theatre.
As they bring their trilogy to BAC, the theatremaking duo talk international politics, conflict, and breaking up.
Natasha Tripney finds destruction, renewal, and numbing violence at Belgrade’s festival of avant garde theatre from across Europe.
Researcher and critic Lisa Moravec explores ideas of bodily dressage in Peter Stamer’s and Frank Willens’s In the Penal Colony and Willen’s group dance Radiant Optimism.
Alice Saville writes on 1809’s Old Price Riots, and what they can teach commercial theatre producers over two centuries later.