“This is a social justice issue”: Maddy Costa talks to Naomi Alexander about community and participation as she relaunches Brighton People’s Theatre.

As Marie Kondo fever sets in, Paula Varjack explains how her new show The Cult of K*nzo explores the performativeness of shopping.

Tarik Elmoutawakil, creative producer at Brighton’s Marlborough Theatre, talks about creating a ‘space church’ for disabled, queer, trans and non-binary people of colour.

Playwright James Graham’s Brexit telly drama was met with a storm of media fury. Here’s Fergus Morgan on what it says about our expectations of drama on TV.

From a strange seaside experience to meta Jane Austen, Exeunt’s writers pick their stand-out shows outside of London.

As Brexit looms, a series of live art parties are creating space to explore multicultural LGBT+ experiences.

“The change is small but the difference is mighty” – J N Benjamin writes on how Misty was transformed in the hands of Arinzé Kene’s female understudy, Kibong Tanji.