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1 February 2017
Features

An open letter to David Hare

By Duska Radosavljevic

“At any other time it would have been enough to just roll one’s eyes and move on. Not anymore.” Dramaturg and academic Duška Radosavljević responds to David Hare’s tirade against European-influenced director’s theatre.


31 January 2017
Features

Writing for Calais

By Maddy Costa

After two decades of writing about performance, Maddy Costa is taking a frightening leap into writing for the stage. She explains why Crew For Calais’s work inspired her to tell the stories of last year’s chaotic refugee camp clearances.