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Features


Archive theatre, new connections
22 April 2020
Features

Archive theatre, new connections

By Natasha Tripney

“I’m learning a culture and a country through its theatre”: Natasha Tripney writes on her enriching encounters with online performance.


Celebrity Coronavirus Videos, Reviewed
15 April 2020
Features

Celebrity Coronavirus Videos, Reviewed

By Exeunt Staff

Exeunt’s writers pen micro-reviews of the tone-deaf, delightful, or dazzlingly weird video art created by celebrities under lockdown.


No drama club today
11 April 2020
Features

No drama club today

By Farah Najib

Farah Najib reflects on the impact of school closures on kids, and on what theatres can do to reach children in lockdown.


A European Theatre Dialogue: Aesthetics and Radicalism
10 April 2020
Features

A European Theatre Dialogue: Aesthetics and Radicalism

By Natasha Tripney

The discussion concludes with an exploration of aesthetics and set design in European theatre; and questions about what it will take for the UK to change.


A European Theatre Dialogue: Directors, Text and Dramaturgy
9 April 2020
Features

A European Theatre Dialogue: Directors, Text and Dramaturgy

By Natasha Tripney

The conversation continues, as a group of directors, dramaturgs and critics discuss how European theatre practitioners approach text.


A European Theatre Dialogue: Repertory Theatre and the Power of the Ensemble
8 April 2020
Features

A European Theatre Dialogue: Repertory Theatre and the Power of the Ensemble

By Natasha Tripney

Directors, dramaturgs and critics discuss how the European repertory model empowers actors and influences the work that gets made.


A Virtual Theatre Book Group
2 April 2020
Features

A Virtual Theatre Book Group

By Exeunt Staff

Exeunt writers talk about the theatre-related books that they’ve been turning to for comfort, inspiration and new ideas.


The paradoxes of trying to make art during a pandemic
30 March 2020
Features

The paradoxes of trying to make art during a pandemic

By Alice Saville

Alice Saville writes on how coronavirus offers theatre an opportunity to rethink what ‘being in a room together’ really means.


Livestreaming Your Art
19 March 2020
Features

Livestreaming Your Art

By Jason Crouch

Jason Crouch walks you through some of the potential issues and shining opportunities involved in streaming performances.


Covid-19 Resources for UK Theatre
19 March 2020
Features

Covid-19 Resources for UK Theatre

By Exeunt Staff

An evolving collection of advice, resources and opportunities for people who work in theatre and are affected by coronavirus.


Breakfast on Pluto: Why are theatres still slipping up on trans representation?
11 March 2020
Features

Breakfast on Pluto: Why are theatres still slipping up on trans representation?

By Robin Craig

After cis actors were cast in trans roles in ‘Breakfast on Pluto’ and ‘Bring it On’, Robin Craig asks why theatres keep failing queer audiences.


Not My Story
2 March 2020
Features

Not My Story

By Hailey Bachrach

Hailey Bachrach spots a trend: female characters breaking the fourth wall to rail against their limited options.


The costly stage magic of Caryl Churchill
29 February 2020
Features

The costly stage magic of Caryl Churchill

By Alice Saville

With both ‘Far Away’ and ‘A Number’ on in London, now’s your moment to develop a Caryl Churchill obsession. Alice Saville writes on two plays that are designed to mesmerise.


Roundtable: Yolanda Bonnell requested that only people of colour review her work. Why the outcry?
25 February 2020
Features

Roundtable: Yolanda Bonnell requested that only people of colour review her work. Why the outcry?

By Exeunt Staff

Naomi Obeng assembles a group of artists, critics and academics to respond to Yolanda Bonnell’s request, and the Guardian article that followed.


Tim Cowbury and Mark Maughan: “It’s a completely fucked system”
18 February 2020
Features

Tim Cowbury and Mark Maughan: “It’s a completely fucked system”

By Rosemary Waugh

The Claim is a Kafka-esque dive into the UK’s asylum system. Here, its creators talk bureaucracy, funding, and making political theatre without the capital ‘P’.


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