The Claim is a Kafka-esque dive into the UK’s asylum system. Here, its creators talk bureaucracy, funding, and making political theatre without the capital ‘P’.

Tasmania’s triumphantly weird arts festival lures in audiences with magic, sweat and glitter.

As plans are taking shape for 2022’s £120m post-Brexit arts extravaganza, here are some more outward-looking ways to mark Britain’s exit from the EU.

Josh Coates is curating performance nights that bring fandom offline and onto the stage. Here’s why.

Leaves you feeling Peaky: Natasha Tripney dissects Steven Knight’s cruelly misjudged Dickens adaptation for the BBC.

Primordial dance, irreverent costume drama and communal experiences: Exeunt’s writers pick out the shows beyond the M25 which have stuck with them in 2019.

Iron your cummerbunds, the starriest, glitziest event of the theatre calendar is here: it’s Exeunt’s annual (alternative) awards.

The results are in: Exeunt’s writers voted for their favourite London shows of 2019. Here are the shows they can’t stop thinking about.

Housed in a former mirror factory, The Big House works with at-risk young people to make theatre that reflects their experiences. Lily Levinson talks to the participants in their new performance, 1st Luv.

“A haunting is a story that stays with you” : Eve Leigh writes on why she’s created an online afterlife for her play Midnight Movie.