Exeunt’s writers pen micro-reviews of the tone-deaf, delightful, or dazzlingly weird video art created by celebrities under lockdown.

Farah Najib reflects on the impact of school closures on kids, and on what theatres can do to reach children in lockdown.

The discussion concludes with an exploration of aesthetics and set design in European theatre; and questions about what it will take for the UK to change.

The conversation continues, as a group of directors, dramaturgs and critics discuss how European theatre practitioners approach text.

Exeunt writers talk about the theatre-related books that they’ve been turning to for comfort, inspiration and new ideas.

Jason Crouch walks you through some of the potential issues and shining opportunities involved in streaming performances.

After cis actors were cast in trans roles in ‘Breakfast on Pluto’ and ‘Bring it On’, Robin Craig asks why theatres keep failing queer audiences.

Hailey Bachrach spots a trend: female characters breaking the fourth wall to rail against their limited options.

The Claim is a Kafka-esque dive into the UK’s asylum system. Here, its creators talk bureaucracy, funding, and making political theatre without the capital ‘P’.