Rebekah Murrell is directing J’Ouvert, a tale of carnival culture at Theatre503. Here, she talks unconventional career paths, ticket prices, and the renaissance in Black theatre.

After building a free DIY film school, Forest Fringe are making a movie this summer. Here’s Andy Field on why.

Kate Wyver and her grandmother interview the experimental theatre duo Ridiculusmus, as they rehearse a new show about getting older and slowing down.

YouTubers and live artists alike are under pressure to share personal information about their lives. Claire Gaydon writes on the risks of making confessional work, and the need to find ways to protect yourself.

Maddy Costa writes on the community-building, conversation-starting power of Theatre Clubs, which make space for audiences to discuss the work they’ve seen.

Jen Malarkey and Lee Mattinson make surreal and unsettling performance together. Here, they talk about grief, working with kids, and their new show ‘The Kids Are Alright’.

“To make one homogenous show is, to me, increasingly nonsensical”: Rachel Bagshaw and Tamar Saphra talk about making work which actively includes disabled and non-disabled audiences.

As debates erupt over LGBT+ education in schools, Poppy Burton-Morgan writes on the power of family theatre to create new role models.