Figs in Wigs’ Rachel Porter talks about the underacknowledged awkwardness of selling theatre – especially when it’s on the weirder end of the spectrum.

Ahead of CPT’s Handle With Care Festival, Kaya Stanley-Money writes on how venues are approaching the heated conversation around trigger warnings.

A guide to October’s chaotic flurry of performance, dance, and theatre.

Natasha Tripney finds destruction, renewal, and numbing violence at Belgrade’s festival of avant garde theatre from across Europe.

Researcher and critic Lisa Moravec explores ideas of bodily dressage in Peter Stamer’s and Frank Willens’s In the Penal Colony and Willen’s group dance Radiant Optimism.