Ahead of her show ‘So Many Reasons’ at feminist festival Calm Down Dear, the writer and performer talks mother-daughter relationships, bypassing gatekeepers, and how to ‘jolt’ an audience.
Alice Saville explores why it’s time to stop talking about ‘theatre etiquette’, and to start thinking about the behaviour of all sections of the audience.
We polled our London writers on their top ten shows of 2017 – here are the results.
Serving as your annual reminder of all the brilliant theatre happening around the UK and Ireland, Exeunt’s critics select their favourite productions from outside of London in 2017.
Post-coital laziness, ragtime romps, and a deathly birthday party: here’s Exeunt’s dance critics on their favourite shows of 2017.
Get your mitts on some Exeunt zines from Christmases past, present and future – and support some really worthwhile festive causes.
The wait is over: Exeunt’s writers announce the winners of some highly prestigious (if unconventional) accolades.
Hannah Greenstreet sits in on rehearsals for Forward Arena’s queer, time-hopping epic.
“Hard-to-reach audiences are not hard to reach if you speak their language” – Ifeyinwa Frederick argues for a new direction for theatre.
It’s the spendiest time of the year, so here are some London theatre shows that are perfect for family trips or pals’ nights out – and under £15.
Slow criticism: Diana Damian and Anette Therese Pettersen consider a meditative seaside performance created by Norwegian artist Ingri Fiksdal.
Three EU migrants discuss their experiences at a ‘non-Brexit-fearing festival’ of work from Europe.
As $elfie$ comes to Hackney Showroom, Malik Nashad Sharpe explores the Black and Queer contexts behind their performance.
‘Wild Bore’ is a furious, filthy take-down of theatre reviewing at its worst. But how fair is it on critics? Exeunt’s writers discuss.
As the National Theatre struggles to find a hit to fill its biggest stage, Exeunt’s writers suggest some ideas of their own.