As the Weinstein revelations spark a bout of theatre-world soul-searching, Alice Saville writes on why men need to take responsibility for rooting out sexual harassment.
Lauren Mooney explores the fraught business of booking a tour, and the glaring power imbalance between venues and freelance artists.
Boom Bat Gesture’s ‘Do Your Worst’ series asks artists to create deliberate flops. Nicole Serratore asks them about failure, DIY theatre, and Spiderman.
Our Hallowe’en zine is a delightfully frightening trip into theatre and the uncanny. Here’s what’s in it, and how to get your copy.
Tamara Harvey is artistic director at Theatr Clwyd, which combines a formidable artistic reputation with a location in rural Wales. She talks Chekhovian humour, working with dead authors, and why theatre and ice rinks mix.
“How do I mentor a playwright when every time I write a play I feel like I’m starting from scratch?” Tim Crouch on joining the growing band of mentors and dramaturgs who hold up a mirror to the playwriting process.
The new artistic director of The Gate talks about running a theatre, looking to Europe, and why a narrow discourse around diversity can be dangerous.
As ‘The Fall’ comes to the Royal Court, Nicole Acquah speaks to its cast about Rhodes, Blackness on campus, and reliving their experiences of protest on stage.
Rufus, Rupert, Edward… take note. Exeunt’s writers have compiled a list of just some of the many great female playwrights that London’s theatres should be staging.
This week, there’s an outpouring of new work on trans experiences. But with the same people in charge, is change really in the air?
The door slams. What next? Loren Noveck explores how three New York playwrights are reimagining Ibsen’s feminist classic.
A week after the end of the Edinburgh Fringe, Alice Saville trudges through its debris to explore what the festival leaves behind.
“Mama said you have to share”: Joakim and Katarina (aged 3.5 and 1.5) present a joint review of their festival experience.
As the feverish final days of the Edinburgh Fringe approach, here’s Exeunt’s writers on what you should see.
From loneliness to solidarity: the artist Selina Thompson reflects on her experiences at this year’s Edinburgh Fringe.