Leaves you feeling Peaky: Natasha Tripney dissects Steven Knight’s cruelly misjudged Dickens adaptation for the BBC.

Primordial dance, irreverent costume drama and communal experiences: Exeunt’s writers pick out the shows beyond the M25 which have stuck with them in 2019.

Iron your cummerbunds, the starriest, glitziest event of the theatre calendar is here: it’s Exeunt’s annual (alternative) awards.

The results are in: Exeunt’s writers voted for their favourite London shows of 2019. Here are the shows they can’t stop thinking about.

Housed in a former mirror factory, The Big House works with at-risk young people to make theatre that reflects their experiences. Lily Levinson talks to the participants in their new performance, 1st Luv.

“A haunting is a story that stays with you” : Eve Leigh writes on why she’s created an online afterlife for her play Midnight Movie.

Alice Saville writes on how ideas of expertise are used to define who gets to have an opinion on theatre.

Queer renaissance musicals, affectionate plants and Bryony Kimmings on tour; here are Exeunt’s UK-wide tips on what to see this November.

In this roundtable, members of Migrants in Culture discuss the impact of the Hostile Environment, and why it’s time for the arts sector to act.

Figs in Wigs’ Rachel Porter talks about the underacknowledged awkwardness of selling theatre – especially when it’s on the weirder end of the spectrum.

Ahead of CPT’s Handle With Care Festival, Kaya Stanley-Money writes on how venues are approaching the heated conversation around trigger warnings.