Art and the city.
Features
28 March 2011
Features • Book Reviews
The Well Read Play
By Lois Jeary
A play’s language may be a pleasure hear, but it is also a pleasure to say.
24 March 2011
Features • Book Reviews
How Plays Work
By Tracey Sinclair
The UK’s first Professor of Playwriting opens the dramatist’s toolbox.
24 March 2011
Features • Theatre Uncut
Binding and Gathering
By Aliki Chapple
Aliki reflects on the production, the community, and “why we’re going to win”.
21 March 2011
Features • Book Reviews
Handspring Puppet Company
By Richard Patterson
This richly visual book explores Handspring’s brand of puppetry.
19 March 2011
Features • NYC Features
The Boys’ Club
By E. Meredith Young
The boys are also the girls in Propeller.
14 March 2011
Features • Theatre Uncut
Switching Mid-Seam
By Aliki Chapple
The producer’s role takes a 21st century turn, and actors drop like flies.
14 March 2011
Features • Book Reviews
Feminism and Theatre
By Julia Rank
Charting the female theatrical tradition.
6 March 2011
Features • Theatre Uncut
The First Stitch
By Aliki Chapple
Preparing to stage Theatre Uncut.
5 March 2011
Features • Essays
The Necessity of Narrative?
By Deborah Pearson
Might we escape the human need for stories to order our lives.
2 March 2011
Features • Essays
Act Three: A Defence of the Word
By Daniel B. Yates
What or how much can be said without words?
28 February 2011
Features • Book Reviews
Art, Theatre and Women’s Suffrage
By Daniel B. Yates
An energetic record of a neglected artistic movement.
26 February 2011
Features • Q&A and Interviews
Caroline Steinbeis
By Tom Wicker
On practicalities, abstractions and directing Fatherland.
26 February 2011
Features • Book Reviews
Classic Plays by Women
By Natasha Tripney
Addressing lack of visibility, but too awkward for reference.
22 February 2011
Features • Essays
Glorious
By Rajni Shah
Rajni Shah on her new musical Glorious, intervention, and frivolity.