On practicalities, abstractions and directing Fatherland.
Features
26 February 2011
Features • Book Reviews
Classic Plays by Women
By Natasha Tripney
Addressing lack of visibility, but too awkward for reference.
22 February 2011
Features • Essays
Glorious
By Rajni Shah
Rajni Shah on her new musical Glorious, intervention, and frivolity.
18 February 2011
Features • Essays
Act Two: A Distinction Between Showbiz and Art
By Daniel B. Yates
Art must be “a passionate, individual vision tailored for no one in particular.”
18 February 2011
Features • Book Reviews
Finishing the Hat – Collected Lyrics (1954 – 1981)
By Stewart Pringle
The great man collects and annotates.
14 February 2011
Features • Q&A and Interviews
Ivo van Hove
By Sam Smith
On Toneelgroep Amsterdam and “bad-boy avant-gardism”.
9 February 2011
Features • Essays
On the Nature of Interpretation: Act One of an essay by Arnold Wesker
By Daniel B. Yates
A madness is sweeping through world theatre.
9 February 2011
Features
Devoted & Disgruntled: conferring in Open Spaces
By Aliki Chapple
The 6th annual event proves an inspiration.
9 February 2011
Features
Opening Spaces: The Print Room
By Tom Wicker
We thought we were very fortunate in having three toilets.
8 February 2011
Features • Book Reviews
The Sound of Musicals
By Tracey Sinclair
Genre tour from a perennial Broadway insider.
7 February 2011
Features • Festivals
London International Mime Festival
By Daniel B. Yates
Robust robots dance an anachronism.
3 February 2011
Features • NYC Features
Recording Priscilla
By Richard Patterson
Attending the Broadway cast recording.
3 February 2011
Features
A Cough and a Spit
By Daniel B. Yates
The fuss about coughing in theatres.
30 January 2011
Features • Q&A and Interviews
Svetlana Dimcovic
By Natasha Tripney
On the plays of Graham Greene and Bush BEE.