Theatre for an audience of one.
Features
28 March 2011
Features • Q&A and Interviews
Gene David Kirk
By Daniel B. Yates
On directing Tennessee Williams.
28 March 2011
Features • Q&A and Interviews
Ella Hickson
By Natasha Tripney
On audience choice and writing away from herself.
28 March 2011
Features
Pioneers of the Downtown Scene
By Daniel B. Yates
Art and the city.
28 March 2011
Features • Book Reviews
The Well Read Play
By Lois Jeary
A play’s language may be a pleasure hear, but it is also a pleasure to say.
24 March 2011
Features • Book Reviews
How Plays Work
By Tracey Sinclair
The UK’s first Professor of Playwriting opens the dramatist’s toolbox.
24 March 2011
Features • Theatre Uncut
Binding and Gathering
By Aliki Chapple
Aliki reflects on the production, the community, and “why we’re going to win”.
21 March 2011
Features • Book Reviews
Handspring Puppet Company
By Richard Patterson
This richly visual book explores Handspring’s brand of puppetry.
19 March 2011
Features • NYC Features
The Boys’ Club
By E. Meredith Young
The boys are also the girls in Propeller.
14 March 2011
Features • Theatre Uncut
Switching Mid-Seam
By Aliki Chapple
The producer’s role takes a 21st century turn, and actors drop like flies.
14 March 2011
Features • Book Reviews
Feminism and Theatre
By Julia Rank
Charting the female theatrical tradition.
6 March 2011
Features • Theatre Uncut
The First Stitch
By Aliki Chapple
Preparing to stage Theatre Uncut.
5 March 2011
Features • Essays
The Necessity of Narrative?
By Deborah Pearson
Might we escape the human need for stories to order our lives.
2 March 2011
Features • Essays
Act Three: A Defence of the Word
By Daniel B. Yates
What or how much can be said without words?
28 February 2011
Features • Book Reviews
Art, Theatre and Women’s Suffrage
By Daniel B. Yates
An energetic record of a neglected artistic movement.